‘Who would ever have thought that there would be torture scenes in G and PG-rated children’s films, or that video games would allow someone to feel the rush of killing, or that the Disney corporation would try to trademark ‘SEAL Team 6’so that they could use it for toys, Christmas stockings and snow globes after this elite military group had killed Osama bin Laden in a Pakistani compound?
Who could have imagined that a child would write a few loving words on her desk and then be arrested in front of her classmates, or that the U.S. government would torture real children in the ‘war on terror?’ Alexa Gonzalez, a 12-year old girl from Queens, doodled “I love my friends Abby and Faith. Lex was here. 2/1/10,” adding a smiley face for emphasis. The next thing she knew she was escorted from school in handcuffs and detained for hours.
And what of 14-year old Mohammed El-Gharani, who was subjected to sleep deprivation and hung from his wrists while a U.S. soldier threatened to cut off his penis with a knife? Welcome to the new face of childhood in America.
Seeing “little Boo,” the toddler who can barely speak in Monsters, Inc., strapped into a seat with holes in the bottom for draining bodily fluids just like the electric chair on death row convinced me to take a closer look at what children all over the world are watching as their purported ‘entertainment;’ what this might be doing to their minds and their emotions; and how all this is related to public policy and the institutions of society.’