Brainfart re: Disney's Monsters Inc, 911 and fear

[pennycat]

I was watching a David Icke video cast which was filmed in May 2007. He was answering questions that were on a piece of paper. Here is a question that he read regarding reptilians:

“What exactly are we building via civilization for them, are we astral food, worker slaves, physical food, unconscious manifesting machines, to what end?”

David Icke’s response: “One of the things that I came across while I was researching this, one common theme, both ancient and modern, is that we are like umm…I’ll tell you the best way to explain it is anyone who has seen the matrix movies. Where the amorphous character is talking about the machines in the movie that they had turned humans into and he holds up a battery and he says they have turned (human beings into one of these, in other words an energy source.”

(He goes on to talk about a scientist he met in Italy who had written books on this topic and he describes what she told him: “She was talking about something she called the interspace plain which is a neutral zone between dimensions. She says they don’t have an energy source in these neutral zones like we do in a fully formed dimension. Anything that exists in these inter-space plain requires its own energy source.)

"It would appear on both ancient and modern accounts is that one level of this conspiracy and manipulation is to create an energy source that we (humans) create by low vibration emotional energy or different expressions of the four letter word that controls the world: FEAR. We have become that battery, that energy source. Because when you feel fear, as with feeling anything, as we are thinking, what are we talking about? Brainwaves, you can see them. We are sending out vibration frequencies all the time based on how we feel, and what we are thinking. You know how when you go into a state of low vibration depression, fear or whatever, and you aren’t feeling good, what do we say? We say oh I’m feeling so heavy today. What you are feeling is energetically dense because those emotions that are all different expressions of fear, they are bringing you into that denser energy field so that you feel heavy when you are experiencing those emotions. That is the level at which these reptilians in this interspace plain, which is literally just outside of the frequency range of human sight. They are feeding off that energy. So quite simply the more of that kind of energy that they can manipulate the human population to generate, the more energy there is to be recycled back and used to manipulate us.”

(He describes how wars (WWII) create massive amounts of low vibration energy in every state. Fear and worry of loved ones who are not on the battle fields, fear, rage, and terror of those fighting on the battle fields, worry about money, the list goes on and on. War creates huge amounts of low vibration energy. Then he goes on to discuss September 11th):

“You look at what happened on 911, 911 generated fantastic amounts of the kind of energy that these guys absorb as a result of the trauma, global trauma not just America of that event.All the fear of terrorism. The more we fear, the more energy we produce for these guys in this neutral zone where they need this energy source, so that’s one level of what its about.”
It dawned on me hours after watching this last night, that this thing he is describing is EXACTLY what the Disney/Pixar film that came out in 2001, the same year as the terrorist attacks, Monsters Inc. is all about. Actually Monsters, Inc came out in theaters in November 2001 but the story was copyrighted in 1995 and took years to produce.)

Here is a portion of a review on the movie:

As a kind of partner film to the Toy Story movies' tales of toys coming to life, Monsters, Inc. explores the other principal childhood fantasy — the monsters in the closet. The film looks at the topic from the other side of the closet door, which opens into the city of Monstropolis. It's a city literally powered by the screams of children, and it currently faces an energy crisis, in no small part caused by the disillusionment of youth — kids are harder to scare these days. That's why Sulley (John Goodman) and Mike (Billy Crystal), two monster factory workers, have to keep up their record pace of scream collection.
Everything gets thrown head over heels when a precocious little girl named Boo makes it through to the world of monsters. She causes havoc among monsters, who think all children are deadly to the touch. Sulley and Mike desperately try to return Boo to her room, becoming her reluctant caretakers and protectors in the process. Sulley, especially, forms a bond with the little girl over time that makes him question not only her dangerousness but also his own choices of career and life.


(So, I’m a member of this David Icke forum and I don’t know exactly why I felt it was important to post this, but it felt like a big brain fart I needed to share. I think had it not came out so soon after 911, I’d overlook the coincidence.
A little boy I babysat loved this movie and watched it over and over. The way it ends is that the monsters find out that laughter of children creates even more energy and that’s how everyone lives happily ever after).

[pennycat]

Analysis of Monsters Inc
December 27, 2007 — Unique Muslimah
http://emuslimyouth.wordpress.com/20...c/#comment-295

While watching Monsters Inc I actually thought I was watching the six o’clock news, or sitting in a politics class. An animated film, a cartoon aimed at youth and young adults, did this? It certainly did, by reading between the lines.

It’s not a secret that many animated films and cartoons have hidden messages to condition the masses towards a certain agenda or way of thinking. Monsters Inc is a beautifully written and animated film about a Monster world that has a very crucial power source that they all depend on. Just like the human world depends on oil, the Monster world depends on children’s screams. That’s right folks, a handful of Monsters are employed to invade a child’s bedroom and scare them. Conveniently their screams are stored in a tank that they can then use like electricity to run their materialistic world.

Interestingly the logo of the Monster Inc company has one eye, just like the eye used on the American dollar bill that has come to be known as the all-seeing eye, used as a Masonic symbol, designed by Freemasons, which is discussed in Dan Brown’s bestseller, The Da Vinci Code. Another accident or an intended political message? I believe it is the latter, especially seeing as Disney are a part of this production. Walt Disney was a Freemason who cunningly placed symbolic messages in cartoons such as The Little Mermaid, as Dan Brown reveals in his novel.

During the first five minutes of the film I thought I was watching a bunch of soldiers invading countries, taking their oil and storing them in a tank, to keep running their materialistic world. After a few blinks, I realised that the comparison was all too real. Monsters Inc was released in 2001 and in 2002 in some parts of the world, right after 9/11 and the war on terror starting with Afghanistan. A subliminal message of the sad current state the world is in, perhaps? And a way to introduce the complex, often distressing world of politics into a young child’s life.

Another all too real comparison is the competition between each monster to have the most screams (or oil if you want to keep with the comparison), which is shown in a league table on a huge screen next to the world map. A friendly monster, Sully, is at the top, while a sneaky monster with bad intentions is in second place. This league can symbolise the current oil league, where countries are the top distributors and those who are in second try their best to be on top, even if it means breaking all work ethics (or the Geneva and UN conventions).

The sneaky monster with bad intentions wants to kidnap his chosen human child so that he can use her on a new machine he has prepared alongside the boss (an inside job), which will suck out all the screams she has to offer. While she is in the torture chair, a pipe comes up to her mouth, ready to suck it all out. Of course this can be compared to the pipelines that have been placed to suck out all the oil from other countries. Now the friendly monsters protecting the human child have an enemy within their own ranks. Sound too familiar? It has happened in the political world, with many soldiers and politicians blowing the whistle on others within their own ranks because they do not agree with the terrible actions they have committed. Just to name one would be the horrific pictures of Iraqi prisoners tortured by soldiers, leaked to news agencies by those within their own ranks.

There is a further message in the animated film. Co-existing is actually not a scary thing. Just because two things are different doesn’t mean they can’t be civilised with each other. The monsters thought humans were scary, disgusting creatures they could catch a plague from. Humans thought monsters were terrorists. But Sully develops a bond with a human child and realises that though they don’t speak the same language, love and affection are more powerful than words. Perhaps this a message to the world to accept each others differences, to give each other a chance, to take time to understand each other, because the one language we are all able to understand and convey is the language of love.

This is what brings Sully to think of a brilliant idea for the company once his boss is busted by the film’s version of the CIA (they are called the CDA, Child Detection Agents). Instead of collecting children’s screams for an energy source, they could collect children’s laughter. Luckily for Sully, he discovered that a child’s laughter is ten times more powerful than a child’s scream, so at the end of the day everyone wins, monster and human. Surely the message here is staring at us right in the face; hopefully future generations will come up with something that is better than wars, invasion, hijacking people’s resources and scaring them to death. Perhaps one day we will all learn to co-exist and benefit from each other, with a positive, productive outcome.

It’s all in the hands of the youth to pick up the sharp pieces their elders left for them and turn the world into a better place, quite a challenge, but a rewarding one when all is good with the world, just as Sully smiles when he takes a step back and looks at the better world he has helped make.

Monsters Inc can be looked at as an innocent animated film with many thrills, laughter, fantastic animation, excellent acting and a believable story-line. But if you want to play the read between the lines game, you won’t be disappointed with what you discover. You also won’t look at another animated film the same way again. Especially if Disney has anything to do with it.