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Old 09-10-2010, 07:13 PM   #1
deonamon
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Default The Beatles and the Illuminati!

Its time for some more pop culture exposure, this time we visit the Yellow Submarine.

The reason for this analysis is Dr. Robert Hieronimus





I picked up his book recently, FOUNDING FATHERS, SECRET SOCIETIES



Its loaded with great information on this history of the Great Seal, and on the secret societies and how they have effected the history of America. He has a Ph.D and gave a speech, which is on congressional record, on the great seal's bicentennial.


He doesn't really get that the true goal of these secret societies does not include the masses though... Sure they want a paradise, for themselves.

Anyway, in his book he mentions that the yellow submarine movie contains the pyramid symbolism, ha also wrote a book on this film specifically called, Inside The Yellow Submarine: The Making of the Beatles Animated Classic.



So lets look at the film.

Theres a lot of Ideas people have for what the yellow submarine itself actually represents. Let me show you, it is the capstone to the Illuminati pyramid.








We see the adventure start off with the capstone (submarine) leaving the pyramid, and the world is in chaos. Later in the film you see the submarine descend from above, to the top of the pyramid. At the end of the film we see the pyramid capped and illumined, and the vision of a utopia has been formed.








Notice the devil horns over Pauls head. Do you remember all those Paul is dead rumors? Remember Billy Shears?




There is a lot more interesting symbolism in the film...


The point of all this isn't to show that all the Beatles were Illuminati, but to show that they were heavily manipulated and used by them at the very least.



Aleister Crowley and the Beatles, not groovy man.


Last edited by deonamon; 09-10-2010 at 07:59 PM.
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Old 09-10-2010, 08:00 PM   #2
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Old 09-10-2010, 08:42 PM   #3
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Old 09-10-2010, 10:06 PM   #4
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I found this Mural from this guy on wikipedia:

Historic Views of Baltimore 1752-1857 mural by Dr. Robert Hieronimus Baltimore MD. Completed 1979
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Old 09-10-2010, 11:02 PM   #5
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On the car in the second photo where it says "Rebellion to Tyrants is Obedience to God" -- that's what the PTB want is for us to rebel and demonstrate, scream and shout - it keeps our vibrations too low to transcend this realm. It also takes up our time and our focus. And does absolutely no good anyway where trying to fix or change things on this planet are concerned.
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Old 09-10-2010, 11:37 PM   #6
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funny how it was actors voices in the film and not the actual beatles voicing it.

best bit for me was the corridor of doors
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Old 10-10-2010, 12:09 AM   #7
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I love Yoko Ono
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Old 10-10-2010, 01:11 AM   #8
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Quote:
Originally Posted by joe2005 View Post


this is the masonic hidden hand gesture, i am surprised no one noticed it.
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Old 10-10-2010, 06:42 AM   #9
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Good pictures/info above.

The Beatles were engineered by Travistock, primarily so they could influence the new generation.

Parallels can be drawn to the current day entertainment industry.

The entertainment industry is without question one if the most or the most powerful manipulation tool that exists today.

The youth shape their personality based on it.

To control it, is to essentially control the world.

Last edited by heuer; 10-10-2010 at 06:44 AM.
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Old 10-10-2010, 09:01 AM   #10
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Old 10-10-2010, 09:05 AM   #11
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The Beatles and the Aquarian Conspiracy



An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the BEATLES. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware.

When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of "THE AQUARIAN CONSPIRACY," a living organism which sprang From "THE CHANGING IMAGES OF MAN," URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report pre-pared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon.

The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system. Instead it was a carefully crafted plot to introduce by a conspiratorial body which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will. New words and new phrases--prepared by Tavistock(1)-- were introduced to America along with the Beatles. Words such as "rock" in relation to music sounds, "teenager," "cool," "discovered" and "pop music" were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be "discovered" by "teenagers." Incidentally, the word "teenagers" was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations.

As in the case of gang wars, nothing could or would have been accomplished without the cooperation of the media, especially the electronic media and, in particular, the scurrilous Ed Sullivan who had been coached by the conspirators as to the role he was to play. Nobody would have paid much attention to the motley crew from Liverpool and the 12-atonal system of "music" that was to follow had it not been for an overabundance of press exposure. The 12-atonal system consisted of heavy, repetitive sounds, taken from the music of the cult of Dionysus and the Baal priesthood by Adorno and given a "modern" flavor by this special friend of the Queen of England and hence the Committee of 300.

Tavistock and its Stanford Research Center created trigger words which then came into general usage around "rock music" and its fans. Trigger words created a distinct new break-away largely young population group which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group. All trigger words devised in the context of "rock music" were designed for mass control of the new targeted group, the youth of America.

The Beatles did a perfect job, or perhaps it would be more correct to say that Tavistock and Stanford did a perfect job, the Beatles merely reacting like trained robots "with a little help from their friends"--code words for using drugs and making it "cool." The Beatles became a highly visible "new type"-- more Tavistock jargon--and as such it was not long before the group made new styles (fads in clothing, hairstyles and language usage) which upset the older generation, as was intended. This was part of the "fragmentation-maladaptation" process worked out by Willis Harmon and his team of social scientists and genetic engineering tinkerers and put into action.

The role of the print and electronic media in our society is crucial to the success of brainwashing large population groups. Gang wars ended in Los Angeles in 1966 as the media withdrew its coverage. The same thing will happen with the current wave of gang wars in Los Angeles. Street gangs will wither on the vine once media saturation coverage is toned down and then completely withdrawn. As in 1966, the issue would become "burned out." Street gangs will have served their purpose of creating turbulence and insecurity. Exactly the same pattern will be followed in the case of "rock" music. Deprived of media attention, it will eventually take its place in history.

Following the Beatles, who incidentally were put together by the Tavistock Institute, came other "Made in England" rock groups, who, like the Beatles, had Theo Adorno write their cult lyrics and compose all the "music." I hate to use these beautiful words in the context of "Beatlemania"; it reminds me of how wrongly the word "lover" is used when referring to the filthy interaction between two homosexuals writhing in pigswill. To call "rock" music, is an insult, likewise the language used in "rock lyrics."

Tavistock and Stanford Research then embarked on the second phase of the work commissioned by the Committee of 300. This new phase turned up the heat for social change in America. As quickly as the Beatles had appeared on the American scene, so too did the "beat generation," trigger words designed to separate and fragment society. The media now focused its attention on the "beat generation." Other Tavistock-coined words came seemingly out of nowhere: "beatniks," "hippies," "flower children" became part of the vocabulary of America. It became popular to "drop out" and wear dirty jeans, go about with long unwashed hair. The "beat generation" cut itself off from main-stream America. They became just as infamous as the cleaner Beatles before them.

The newly-created group and its "lifestyle" swept millions of young Americans into the cult. American youth underwent a radical revolution without ever being aware of it, while the older generation stood by helplessly, unable to identify the source of the crisis, and thus reacting in a maladaptive manner against its manifestation, which were drugs of all types, marijuana, and later Lysergic acid, "LSD," so conveniently provided for them by the Swiss pharmaceutical company, SANDOZ, following the discovery by one of its chemists, Albert Hoffman, how to make synthetic ergotamine, a powerful mind-altering drug. The Committee of 300 financed the project through one of their banks, S. C. Warburg, and the drug was carried to America by the philosopher, Aldous Huxley.

The new "wonder drug" was promptly distributed in "sample" size packages, handed out free of charge on college campuses across the United States and at "rock" concerts, which became the leading vehicle for proliferating the use of drugs. The question that cries out for an answer is, what was the Drug Enforcement Agency (DEA) doing at the time? There is compelling circumstantial evidence that would appear to indicate that the DEA knew what was going on but was ordered not to take any action.

With very substantial numbers of new British "rock" bands arriving in the U.S., rock concerts began to become a fixture on the social calendar of American youth. In tandem with these "concerts," the use of drugs among the youth rose in proportion. The devilish bedlam of discordant heavy beat sounds numbed the minds of listeners so that they were easily persuaded to try the new drug on the basis that "everybody is doing it." Peer pressure is a very strong weapon. The "new culture" received maximum coverage from the jackal media, which cost the conspirators not one single thin dime.

Great anger was felt by a number of civic leaders and churchmen over the new cult but their energies were misdirected against the RESULT of what was
going on and not against the CAUSE. Critics of the rock cult made the same mistakes that had been made in the prohibition era, they criticized law enforcement agencies, teachers, parents anybody but the conspirators.

http://www.illuminati-news.com/rock_and_mc.htm
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Old 10-10-2010, 09:13 AM   #12
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http://putasparanoias.blogspot.com/2...ieronimus.html
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Old 19-10-2010, 02:49 PM   #13
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I humbly wonder, will the PID thread be restarted?
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Old 22-10-2010, 07:03 AM   #14
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Quote:
Originally Posted by thedefender View Post
sick pic, disturbing. look its "capitol records" hum the little whitehouse pic.

but this one^ seems like the blueprint hand symbols all the pop stars have followed especialy lately.


i also saw a video interview of iggy pop saying he use to be into all this evil and satanic stuff, back in the early years of the stooges. it was a old 70s interview i saw a while back on youtube.
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