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Old 01-05-2012, 04:32 PM   #741
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Stanley did something clever here: Traditionally the Hierophant card would come at this point in the film, but he has swapped it with the Devil. This is why Red Cloak appears at the Masked Ball.

But we know the real Hierophant is Stan Kubrick himself, AKA Satan (save for those who can unveil his illusions). http://wrongwaywizard.blogspot.com/s...nley%20Kubrick

(Black Jack the movie director)
The concept is that the Illuminati have sex orgy's in the same way that is depicted in the film "Eyes Wide Shut!" These orgy's are occult rituals to control us? Is this the thinking about this.

OK well I thought the Illuminati were very protective of their bloodlines - so why would they risk getting sexually transmitted diseases that can damage their bloodlines by having sex orgies? Or do the actual big wig Illuminati players not take part but just watch?

Also it's well known that not many males can actually sustain an erection in public situations such as an orgy, never mind wearing masks while "at it!" and that only a few males can maintain an erection on camera in the context of making porn films. So I am just wondering if this scenario of masked orgy's is merely a product of Kubrick's imagination and perhaps does not happen in reality!?

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Old 01-05-2012, 10:52 PM   #742
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Hi the ombudsman, the 'second class' participants in an orgy scenario at this level are carefully vetted and 'kept' within a closed circuit of 'use'. They are slaves (the presentation collars are are symbolic of this status) and every aspect of their lives is under the strict control of their 'masters'. This control is achieved by a combination of deep psychological/subliminal manipulation and total domination of life circumstances. They are members of a kept 'harem', not necessarily 'housed' in the same location, but certainly reserved - as it were - for ritualistic use by a select closed circuit of members. This is a very common scenario in the sexual sub-culture of S&M, however, in the context of proceedings at this level the financial resources of the 'master' class are such that it is feasible to keep and maintain these slaves for 'exclusive' use for unusually extended periods, at least until such time as they are energetically 'spent' (or indeed actually sacrificed). Health and the idea of prospective immortality are key motivations of the Elite, so 'exclusive use' is a must. It is also why 'master' couples will only 'swing' within a closed circuit, i.e. amoungst themselves. The orgy rituals depicted in EWS only scratch the surface of more specific proceedings that would go on behind the scenes. These orgy scenarios are not about 'sex'. The slaves are being used symbolically (i.e. forget the 'sex', though energetically it's part of it) to 'energise' the matrix of a metaphysical agenda that is geared towards the spiritual domination of Earth and all her inhabitants. With rituals such as these, performed at specific times astrologically, in geo-magnetically specific locations, the 'masters' broadcast an energetic frequency that is designed to suppress the potential of Love within the etheric/quantum field. These rituals take place at multiple locations through-out the globe, concurrently, in a continued effort to dominate the etheric field of the Planet as a whole. It is hardly 'illuminated', more like a carefully managed and sustained 'brute force attack'.

[EDIT]: sorry about my continual 'edits', I'm just striving for clarity in what I put across.
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Old 02-05-2012, 02:15 AM   #743
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Hi the ombudsman, the 'second class' participants in an orgy scenario at this level are carefully vetted and 'kept' within a closed circuit of 'use'. They are slaves (the presentation collars are are symbolic of this status) and every aspect of their lives is under the strict control of their 'masters'. This control is achieved by a combination of deep psychological/subliminal manipulation and total domination of life circumstances. They are members of a kept 'harem', not necessarily 'housed' in the same location, but certainly reserved - as it were - for ritualistic use by a select closed circuit of members. This is a very common scenario in the sexual sub-culture of S&M, however, in the context of proceedings at this level the financial resources of the 'master' class are such that it is feasible to keep and maintain these slaves for 'exclusive' use for unusually extended periods, at least until such time as they are energetically 'spent' (or indeed actually sacrificed). Health and the idea of prospective immortality are key motivations of the Elite, so 'exclusive use' is a must. It is also why 'master' couples will only 'swing' within a closed circuit, i.e. amoungst themselves. The orgy rituals depicted in EWS only scratch the surface of more specific proceedings that would go on behind the scenes. These orgy scenarios are not about 'sex'. The slaves are being used symbolically (i.e. forget the 'sex', though energetically it's part of it) to 'energise' the matrix of a metaphysical agenda that is geared towards the spiritual domination of Earth and all her inhabitants. With rituals such as these, performed at specific times astrologically, in geo-magnetically specific locations, the 'masters' broadcast an energetic frequency that is designed to suppress the potential of Love within the etheric/quantum field. These rituals take place at multiple locations through-out the globe, concurrently, in a continued effort to dominate the etheric field of the Planet as a whole. It is hardly 'illuminated', more like a carefully managed and sustained 'brute force attack'.

[EDIT]: sorry about my continual 'edits', I'm just striving for clarity in what I put across.
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Old 02-05-2012, 02:57 AM   #744
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The following is a bit off-topic, in that it's not directly related to Kubrick's films - it's just my interpretation of the rationale behind his revealing what he has to us. Kubrick was in a position to understand the elite's 'game' from the inside out. His works offer us clues to recognise the game for what it is and cease to be used as energetic pawns/slaves by these so-called 'masters'. Love is the core frequency of Earth, always has been, always will be. Some members of indigenous populations still recognise this (only because 'they' got to them more or less 'last', so to speak), and the rest of us are waking up to it as well - after centuries/millenia of intensive disenfranchisement of all our cultures. (N.B. we are all 'indigenous' at a molecular level!). The manipulations that are occurring are illusional, they're simple deceptions, being performed by simplistic minds. The sooner we realise that and plug ourselves in to our true energetic inheritance - Love/Creation (infinite diversity, infinite creative potential) - the sooner we will divert the course of destruction that these retarded loosers are propagating. We are all direct descendants of Earth, in this regard we are all One. Whether everyone remembers their genealogy or not, we are all the present-day expressions of bloodlines that entered this dimension via the elemental prima materia of Earth herself, each of us atomically imbued with the essence of Love that drives all Creation.

All of our genealogies/bloodlines go back to that moment. That goes for whether you're an animal, a tree, a blade of grass, a chunk of silica or a tract of the ocean. 'Their' attempt to obliterate bio-diversity (genetic diversity) and mineral diversity/distribution in this dimension: is designed to try and control the frequency of events on the 'actional plane'. It's geared to restrict Earth's multi-faceted, broad-band expression of Love so that they might have a 'better chance' at flipping it to one of fear, with the aim of shutting us down at a critical period of our - and by extension, Earth's - spiritual evolutionary cycle. That period is Right Now (!) - and it's occurring in a hyper-dimensional sense i.e. at many levels our evolution is occurring beyond 'their' influence or control, but keeping our Focus on the 'actional plane' helps them designate their manipulations with great specificity. Frankly, they have no chance of succeeding because the illusions they have created are so damn see-through it's not funny! As see through, for example, as the behemoth tonnage of plastics that are now swirling round our oceans and at a molecular level in our food and water supplies. As the old adage goes: you can fool some people some of the time, but you can't fool all the people all of the time. When we humans eventually identify as "One" (within diversity) - out of respect and love for our common ancestor Earth - and by association, respect and love for ourselves as cosmic entities (in the same way that Earth herself is cosmic) - the 'game', from the perspective of the would-be 'masters', will most certainly be 'up', once and for all.


[EDIT]: sorry about the Nelson clip, couldn't help it!
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Old 02-05-2012, 03:22 AM   #745
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Hi size_of_light, what you are doing here with Kubrick is quite literally amazing and I'm very thank full to be here watching your work unfold. It's groundbreaking, you're working with Kubrick - and at a level that is just mind-blowing. Many Thanks for bringing what you are to light. It's PURE, unadulterated, Genius!!
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Old 02-05-2012, 09:20 PM   #746
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Hi everyone, came across this while following up size_of_light's google suggestion on Jay Weidner. It really helped me get Weidner's work (about Kubrick) - and his motivations in general - into perspective. Just posting it here since it seems like a good time to understand where he is coming from. He says some very interesting things about the Heliosphere during the course of this talk. Here is a link to part 1 of 6. Cheers!

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Old 03-05-2012, 04:28 PM   #747
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Space Station V is a fictional space station seen in the movie 2001: A Space Odyssey. Operational, it is a large, international, rotating wheel space station used as a transfer point from Low Earth orbit to the moon and other planets. It also functions as an orbital hotel, mostly operated by Hilton Hotels. Rotation of the station provides artificial gravity for people aboard the station. The station contains two docking bays for docking spacecraft and is placed on its rotational axis at the opposite sides of the construction. By the time of events depicted in the film, it is still under construction, with the incomplete second wheel.

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The hotel is a high-rise black glass building which pays homage to Arthur C. Clarke's vision of the Monolith in "2001: A Space Odyssey"
http://letsrollforums.com/why-saudi-...l-t27271.html?


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On New Year's Eve in the year 2000, a nine foot tall representation of the monolith seen in the Stanley Kubrick film "2001: A Space Oddyssey" suddenly apeared in Magnuson Park, Seattle, Washington.
It stayed there until the 4th of January 2001. Mainstream reports of this were generally lighthearted, and mentions of it from local law enforcement were along these lines:

"Local press reports quote park visitors joking about "intelligence increasing by the moment" with the presence of the monolith, a clear reference to the film."

It stayed there for four days and then just as covertly as it appeared, vanished. Rumour was that it had been an unknown local artist who placed it there and removed it. The park is well known for exhibitions of public art, such as the sound garden made famous by the Seattle band of the same name. A symbolic and creative tribute to the film then, as well as to create a frission amongst the public. People were actually considering the possibility that a greater force was at work here and that it had appeared as the monolith did in the film. A semiotic marker from the gods, to punctuate a turning point mankind's journey.
Quote:
254 days after the monolith appeared the infamous September 11th attacks occurred bringing down the World Trade Center Twin Towers.

Boaz and Jachin or Jachin and Boaz? From Wikipedia:

"Some variants of the Tarot card the High Priestess depict Boaz and Jachin in reverse representing an anti-temple or rejection of Solomon's religion.



Was the nine-foot tall monolith that foreshadowed the tragedy 254 days later (2+5+4=11) an arcane symbolic key to a 9/11 mega ritual? A foreshadowing from the grimoire of in the hands of the shadowy concerns Michael A. Hoffman II calls the Cryptocracy?

Arthur C. Clarke's novel 2001 especially the film adaption by Stanley Kubrick are either a case of the artist dipping into the dark creative force and becoming prognosticators of a kind, or we have life imitating art.
Or a thing of black, massive hubris and otherworldly power.
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Considering many theories of 9/11 as a ritualistic event, the monolith as a motif for various theories as to what it represents: stargate portal to the other existences, semitiotic marker for the Cryptocracy who see themselves evolving to be gods, the building or tearing down of the figurative edifice of Solomon's Temple (Boaz & Jachin, or Jachin & Boaz?), pre-cursor to an engineered or realy contact event, and many more. Who knows?
The huge similarities between the look of the Film 2001 and the area in & around Ground Zero are strong, no matter what I may think. Interesting to note even if they are meaningless.




Quote:
Of course with the comparison of the two sites, one real, one not "real," it can be termed superficial. Of necessity both have to be access points beneath ground level, with ramps to ferry workers & equipment back and forth, lights for working at night, plus darkness on the moon. but enough semiotic markers reman in totality to suggest a strong relationship between life and art.

Is all this coincidence, interpretaion bias, synchronicity, predictive programming involving the Downard/Hoffman high occultic ritual psychodrama? Or a bit of all?




Quote:
"They then repeat this arrangement for the photo shoot with five of them in shot and one holding the camera. At this point they are seen flanked by huge flood lights on either side, which accounts for the two closer (or larger) octahedrons that float in off screen."
Quote:
So we see Hilton space station 5 between the illuminating 11. Same layout as ground zero of course.


Quote:
Looking like it was meant to have that position all along once something was brought down...
http://forum.prisonplanet.com/index.php?topic=102732.0



Quote:
"In the 1994 animated series Gargoyles the Twin Towers are seen in a few episodes (such as the 4 part pilot) as well as the 3rd Season opening of The Goliath Chronicles. The second season episode "The Mirror" has an antagonist gargoyle, Demona, use a magical mirror with help from Puck atop the South Tower at night in order to amplify and broadcast an evil magic spell to all of New York City's human population. Ironically, this episode first aired on September 11, 1995."
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Old 04-05-2012, 03:49 AM   #748
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I heard that Tyler Durden did it.

Finally saw Paths of Glory--







We see Kirk Douglas (Spartacus) is another devotee of the Goddess, and is always positioned in front of the image of Beauty. General Mireau is the "goat," the Devil. (In the Old Testament, Satan is the "accuser"--which would make General Broulard the Old Testament God.)





This continues the theme of dethroning the Rex Nemorensis and taking his place--

Quote:
General Broulard: Well…. it had to be done. France cannot afford to have fools guiding her military destiny. I’m grateful to you for having brought this matter to my attention. Colonel Dax, how would you like General Mireau’s job?

Colonel Dax: His what, sir?

General Broulard: His job.

Colonel Dax: Let me get this straight, sir. You’re offering me General Mireau’s command?

General Broulard: Come, come, Colonel Dax, don’t overdo the surprise! You’ve been after the job from the start, we all know that my boy!

Colonel Dax: I may be many things sir, but I am not your boy.

General Broulard: Well, I certainly didn’t mean to imply any biological relationship.

Colonel Dax: I’m not your boy in any sense.

General Broulard: Are you trying to provoke me colonel?

Colonel Dax: Why should I want to do that?

General Broulard: Exactly. It would be a pity to lose your promotion before you get it. A promotion you have so very carefully planned for.

Colonel Dax: Sir, would you like me to suggest what you can do with that promotion?

General Broulard: [angry] Colonel Dax! You will apologize at once or I shall have you placed under arrest!

Colonel Dax: I apologize… for not being entirely honest with you. I apologize for not revealing my true feelings. I apologize, sir, for not telling you sooner that you’re a degenerate, sadistic old man. And you can go to hell before I apologize to you now or ever again!
Compare again to the final scene in A Clockwork Orange--

http://www.youtube.com/watch?v=arijbOzqM-E

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Minister: There is also a certain man, a writer of subversive literature, who has been howling for your blood. He has been mad with desire to stick a knife into you but you are safe from him now. We put him away. He found out that you had done wrong to him. At least he believed you had done wrong. He formed this idea in his head that you had been responsible for the death of someone near and dear to him. He was a menace. We put him away for his own protection, and also for yours...We are interested in you and when you leave here you will have no worries. We shall see to everything - a good job on a good salary.

Alex: What job and how much?

Minister: You must have an interesting job with a salary which you would regard as adequate, not only for the job that you're going to do, and in compensation for what you believe you have suffered, but also because you are helping us.

Alex: Helping you, sir?

Minister: We always help our friends, don't we? It is no secret that this Government has lost a lot of popularity because of you, my boy. There are some who think that at the next election, we shall be out. The press has chosen to take a very unfavorable view of what we tried to do. But public opinion has a way of changing, and you...you can be instrumental in changing the public's verdict. Do you understand, Alex? Do I make myself clear?


Kirk Douglas = Spartacus = Clare Quilty = Stanley Kubrick?




"There he became king and devoted a precinct to Artemis, where down to my time the prize for the victor in single combat was the priesthood of the goddess. The contest was open to no freeman, but only to slaves who had run away from their masters."


"the prize for the victor in single combat was the priesthood of the goddess"

We see that Spartacus/Kubrick did indeed win the Priesthood of the Goddess, this being his future wife--


But this is only a momentary respite, and the Hero must return to Earth and continue fighting the War against Ignorance.

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Old 04-05-2012, 11:15 PM   #749
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P.S. Whoever posted that Shining Recut as a romantic comedy trailer, thanks, I can't stop watching it!

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Old 05-05-2012, 03:17 PM   #750
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Another overlay clip, featuring Danny's first encounter with Room 237 followed immediately by the oddly-prolonged establishing shot of Jack working at his typewriter before Wendy approaches to see how his book is progressing:


The timing of the two films is quite uncanny here again, firstly because the very moment Danny presses on the door handle to Room 237, the film cuts to scenes of the Moonscape, which gives the impression that the Moon itself is somehow locked.





In that context, the sudden glimpse we then get of the two girls creates a sense that they're responsible for it being locked, as though guardians of some kind (more on this in a moment...)





Following this we see Jack at his typewriter 'on the Moon' as it were.







Once again, with impeccable timing, the moment Wendy stoops in to kiss Jack as he rips the page from his typewriter to conceal it's content from her, the Moonscape suddenly vanishes.





The nature of this last overlay shot fits in eerily well with Jay Weidner's suggestion that Jack is a metaphor for Kubrick himself here, working on the Apollo landing hoax and hiding the fact from his wife.


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Old 05-05-2012, 03:38 PM   #751
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Hi guys, I thought this might be the best current thread to post this in.

Full metal Jacket scene.

There's only three women in this film and I think they all signify the same thing.

A black wall is visible at 1:15 then disappears when it cuts back.

http://www.youtube.com/watch?feature...OJ1_kcI8#t=73s
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Old 05-05-2012, 03:48 PM   #752
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Originally Posted by size_of_light View Post
The timing of the two films is quite uncanny here again, firstly because the very moment Danny presses on the door handle to Room 237, the film cuts to scenes of the Moonscape, which gives the impression that the Moon itself is somehow locked.





In that context, the sudden glimpse we then get of the two girls creates a sense that they're responsible for it being locked, as though guardians of some kind (more on this in a moment...)





Neptune and Uranus.


Quote:
Why are Neptune and Uranus sister planets?

The reason they are considered to be sister, or twin planets, is because they are almost identical in size, and because they both appear to be blue. Their
chemical makeup is almost identical as well.

http://wiki.answers.com/Q/Why_are_Ne...sister_planets

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Old 05-05-2012, 04:20 PM   #753
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Neptune and Uranus.


Question is, what could the twin blue sister planets Neptune and Uranus possibly have to do with the notion of the Moon being locked...?

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Old 05-05-2012, 05:08 PM   #754
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Question is, what could the twin sister planets Neptune and Uranus possibly have to do with the notion of the Moon being locked...?
Hang on, what's that?



Let's back up in the scene...



It's a very unusual camera angle to be filming up under Danny's right armpit with the right handlebar visible and only a small triangular section of his arm in the upper left corner of the frame.

I doubt the bulky 35mm camera could have been able to shoot from a low enough position on the floor to have achieved this angle naturally, which suggests that the shot was pulled off with Danny on an elevated platform and possibly also an artificial corridor and door to Room 237 constructed at a correspondingly greater height.

We only see the diagonal line for a few moments in this one shot and are meant to dismiss it as nothing more than the blurred right handlebar on Danny's bike in the foreground.

But I get a strong sense that the elaborate staging of this very fleeting shot is all about the subtle shape that diagonal bar makes when it's interposed on the door to Room 237.



N237?


"WhatyoutalkingboutStanley?"

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Old 05-05-2012, 08:24 PM   #755
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I just remembered That I used to ask myself if there was a connection between the 2001 monolith
and this cover of the who´s album "who´s next"
seriously.

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Old 05-05-2012, 08:36 PM   #756
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Originally Posted by rufusfirefly View Post
A black wall is visible at 1:15 then disappears when it cuts back.

http://www.youtube.com/watch?feature...OJ1_kcI8#t=73s


and at the same time the characters are talking about 'black boys packing too much meat.'

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Old 05-05-2012, 11:48 PM   #757
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Originally Posted by size_of_light View Post

the sudden glimpse we then get of the two girls creates a sense that they're responsible for it being locked, as though guardians of some kind

Quote:
Originally Posted by size_of_light View Post

Following this we see Jack at his typewriter 'on the Moon' as it were.

Once again, with impeccable timing, the moment Wendy stoops in to kiss Jack as he rips the page from his typewriter to conceal it's content from her, the Moonscape suddenly vanishes.

The nature of this last overlay shot fits in eerily well with Jay Weidner's suggestion that Jack is a metaphor for Kubrick himself here, working on the Apollo landing hoax and hiding the fact from his wife.
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Originally Posted by size_of_light View Post


Question is, what could the twin blue sister planets Neptune and Uranus possibly have to do with the notion of the Moon being locked...?
Whoa!! size_of_light! This is seriously, creepily cool! have been getting my thinking cap on about the twins past few days with plot-related ideas I'm working on - but they're still in sketchy state so will hold off on those. In meantime though, noticed something in their homicide scene that may be of note: between the feet of the girl in front is what looks like a blood-soaked tennis ball, possibly 'the' tennis ball?. In front of the same girl's bottom foot is some kind of 'full circle' shape. I'd considered the possibility of a giant hair-tie (no), a sock-garter (no), circle of torn lace from the dress sleeve (no). At this point I'm thinking it's a deliberately symbolic 'prop', as it does not seem to relate to anything else within the scene, except the blood-soaked tennis ball. Sorry, this doesn't help with working out Neptune - Uranus - Moon, but maybe there's another way of looking at it that you will be able to pick up on?

twins.jpg
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Old 05-05-2012, 11:52 PM   #758
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p.s. the plot notion I'm working on has to do with that being Jack's Axe.
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Old 06-05-2012, 12:19 AM   #759
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In meantime though, noticed something in their homicide scene that may be of note: between the feet of the girl in front is what looks like a blood-soaked tennis ball, possibly 'the' tennis ball?. In front of the same girl's bottom foot is some kind of 'full circle' shape. I'd considered the possibility of a giant hair-tie (no), a sock-garter (no), circle of torn lace from the dress sleeve (no). At this point I'm thinking it's a deliberately symbolic 'prop', as it does not seem to relate to anything else within the scene, except the blood-soaked tennis ball.
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p.s. the plot notion I'm working on has to do with that being Jack's Axe.
Hi mata, I see what you mean about the tennis ball thing. That's good thinking that it might be 'the' ball. Looking forward to hearing what you come up with on Jack's axe too.
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Old 06-05-2012, 03:27 AM   #760
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Question is, what could the twin blue sister planets Neptune and Uranus possibly have to do with the notion of the Moon being locked...?
If the girls represent the twin blue sister planets Uranus and Neptune, then perhaps it's not the planets themselves that Kubrick is directing our attention to, but a combination of those names and the consecutive door numbers.

Uranus and Neptune.

Room 236 and the infamous 237.

The twin girls standing side-by-side.

The subtle 'N' shape made by Danny's handlebar on the door of Room 237.

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Originally Posted by size_of_light View Post
What might this have to do with the suggestion of the Moon being 'locked'?

Quote:
Some lunar rocks supposedly contain brass (a man-made alloy not found naturally), mica, and pure titanium. Stranger still, Uranium 236 and Neptunium 237, elemental isotopes not found in nature on earth, have been found in rock samples.

http://www.theuniversesolved.com/the...Explained.aspx
Quote:
Experts were surprised to find lunar rocks bearing brass, mica and amphibole in addition to the near-pure titanium. Uranium 236 and Neptunium 237 — elements not previously found in nature — were discovered in Moon rocks, according to the Argone National Laboratory. While still trying to explain the presence of these materials, scientists were further startled to learn of rust-proof iron particles in a soil sample from the Sea of Crisis. In 1976, the Associated Press reported that the Soviets had announced the discovery of iron particles that “do not rust” in samples brought back by an unmanned Moon mission in 1970. Iron that does not rust is unknown in nature and well beyond present Earth technology.

http://www.disinfo.com/2010/09/who-parked-the-moon/

Quote:
Uranium-236 (U-236) is an isotope of Uranium that is neither fissile with thermal neutrons, nor very good fertile material, but is generally considered a nuisance and long-lived radioactive waste. It is found in spent nuclear fuel and in the reprocessed uranium made from spent nuclear fuel.

http://en.wikipedia.org/wiki/Uranium-236
Quote:
Neptunium (play /nɛpˈtjuːniəm/ nep-TEW-nee-əm) is a chemical element with the symbol Np and atomic number 93. A radioactive metal, neptunium is the first transuranic element and belongs to the actinide series. Its most stable isotope, 237Np, is a by-product of nuclear reactors and plutonium production and it can be used as a component in neutron detection equipment. Neptunium is also found in trace amounts in uranium ores due to transmutation reactions.

http://en.wikipedia.org/wiki/Neptunium

Neptunium-237 is a transuranic radioactive material with a long physical half-life (2.14 million years). Neptunium-237 is produced by irradiating plutonium with neutrons in a nuclear reactor. The primary use for Np-237 is in-core nuclear reactor dosimetry.

http://radioisotopes.pnnl.gov/Neptunium_237.stm

Last edited by size_of_light; 06-05-2012 at 03:43 AM.
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