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jesuitsdidit
09-03-2009, 08:54 PM
CHEMTRAILS: INVASIVE MOLD (AIRBORNE) INFECTIONS INCREASE MORTALITY AMONG IMMUNOCOMPROMISED (BY CHEMTRAILS & RF) PATIENTS.

HEALING DNA FREQUENCY: 528 Hz, OR WHY WE ALL ARE UNDER 440 Hz?

http://www.rumormillnews.com/cgi-bin/forum.cgi?read=142816

Posted By: IZAKOVIC <Send E-Mail>
Date: Monday, 9 March 2009, 2:49 p.m.

In Response To: CHEMTRAILS: INVASIVE MOLD (AIRBORNE) INFECTIONS INCREASE MORTALITY AMONG IMMUNOCOMPROMISED (BY CHEMTRAILS & RF) PATIENTS (IZAKOVIC)

Equal Temperament Scale

Modern keyboards are tuned to a scale known as the Equal Temperament Scale. This is a compromise between playing something that sounds musically correct and the ability to play in any key. When you sing a major scale, you subconsciously use a scale called the Just Intonation Scale. This is the scale that sounds right, at least to people brought up on Western music. Unfortunately there are small peculiarities of the Just Intonation Scale which make it unsuitable for keyboards, which need to able to play in different keys.
For example, when you sing do re mi starting on C, you get C, D, E. When you start on D, you get D, E, F#. The E note produced by these two sequences is not the same. The difference between them is only very slight, but it is audible to a keen ear. When tuning the keyboard, which note should the tuner use?
The Equal Temperament Scale was devised about 200 years ago to overcome these difficulties and has been used ever since.
This entry will show the mathematical basis for the Just Intonation Scale, show the problems it introduces for keyboards, some of the other scales which attempt to overcome this and then show the Equal Temperament scale, which is the accepted solution to the problems.
The mathematical basis for pitch
The pitch of a note is given scientifically by a number called its frequency. Sound is a regular vibration of the air. Frequency is the number of vibrations per second. The more vibrations per second, the higher the frequency, the higher the pitch. The unit of frequency is hertz, abbreviated Hz. The note A, which is used for tuning orchestras, is 440 Hz, which means 440 vibrations per second.

More:

http://www.bbc.co.uk/dna/h2g2/alabaster/A428852

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Forgotten In Time: The Ancient Solfeggio Frequencies

Source:

http://www.lightwithin.com/SomaEnergetics/2About_Solfeggio.htm

Article by David Hulse, D.D. - www.somaenergetics.com

A Little History
Repairing DNA
How I found out about the Ancient Solfeggio Frequencies
Energy and Relationship
Sound, Vibration and Form
How Did The Solfeggio Frequencies Get Lost?
The 3, 6, and 9
Just Intonation – 12 Tone Equal Temperament
How these different types of tones affect our health
What are the Ancient Frequencies?

A Little History

At the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.
Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as "genetic gibberish." Is it possible that most of who we are still lies dormant as our human potential?
In the old paradigm of religion, "potential" remained a mystery to the human mind, therefore we coined a mystical term called "SPIRIT." "Spirit" was something that was detached from who we were, something we didn’t have and could only be gained through the systems of most religions.
The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this third/fourth time-space continuum.
Being a student of "A Course In Miracles" in the late 80’s, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until I began to study Quantum Physics which tells us that everything is energy and matter is not as solid as we perceive it to be. I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul — we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, "The Divine, is in me"- makes "me" separate from the Divine. May I suggest a shift in the saying to: "The Divine, AS me" to remove the separation.
As we move from genetics and concepts like Soul, "Soul Mates" and "Soul work," we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory - The Theory of Everything) —there are no boundaries. There is no "this" or "that;" no you or me. It is a pure field of awareness – consciousness. I solved the dichotomy about "we are not our body" by changing my perception of genetics to energetics - realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency.

Repairing DNA

I was first introduced to DNA in 1988 when I was going through a transitional period, during which I felt that I had come to the end of everything that I believed. A tape was given to me of a gentleman speaking in an accent, (which I thought at the time, was rather boring), and I didn’t understand what he was talking about. Then all of a sudden, as I was ready to turn it off, he said: "Quantum physics has found that there is no empty space in the human cell, but it is a teeming, electric-magnetic field of possibility or potential." That’s all he said! But whatever frequency was contained in those words, RESONATED something inside the CORE of my BEING — and I had a KNOWING in me that the NOTHING I thought I was looking at was the EVERYTHING. Much like in Zen, and the idea of becoming "as an empty bowl." Eastern Religions (including the Bible) refer to it as the VOID – The Nothing that is EVERYTHING – The Womb of Creation. I knew that I was experiencing a re-birth! The person on that tape was Dr. Deepak Chopra.
I had never heard of Deepak Chopra in 1988, as he was just coming on the scene about that time. I credit him for a very important transition in my life, just from the statement he made on that tape. Today, in retrospect, I would call my response to that statement a "cellular memory experience." We know that intelligence is stored within the cells of the body, and when the right resonance comes and releases that information to become inherent information or inherent KNOWLEDGE – that comes from the true Self. That is why so many of us seem to jump form one stimuli to another looking for what will resonate in us.
The work being done today with energy at the cellular level really excites me, since I had been very interested in DNA before it became a household word. In fact, I think it took me two years just to learn how to pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I was determined to understand this tremendously powerful energetic blueprint for life, as we know it, at the cellular level on this planet. DNA became a part of the collective consciousness when CNN produced a special on the Genome Project in 2000.
As I pursued my passion for the study of DNA, I attended a workshop by Dr. Robert Girard from California on DNA Activation. His work focused on using certain sounds and frequencies to activate DNA and I started doing DNA Activation workshops. Through those workshops, an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated that it was a "C." When I read that I thought, "All I would need to do is go to a piano or other instrument and play a "C" and then, in the DNA workshops we would be able to repair DNA."
Well, it wasn’t that simple, because I discovered that the regular "C" that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C", as described in the article. Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz, and that the "C" of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale. Moreover, the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in general use today. Later, we will explore that difference between how we create music today vs. how we used to create it, and how that simple change has made all of the difference in the world.

How I found out about the Ancient Solfeggio Frequencies

I found this ancient scale to be part of a 6-tone scale sequence of electro-magnetic frequencies called the Original Solfeggio Scale through the book "The Healing Codes of Biological Apocalypse" by Dr. Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph Puleo, who received them in a wonderful experience that some would suggest was mystical. These frequencies are not something new, but they are something very old.
I shared the information about these frequencies with a musician friend who had a studio in her home. After reviewing the information, she decided that she would like to experiment with these frequencies in the form of meditation music. She was also in touch with Jonathan Goldman (author of the book, "Healing Sounds") and he knew of these frequencies, and was using them in some of his music such as "The Lost Chord" CD. Aryiana requested that he have the tuning forks made for her to research the frequencies. I asked if she could also have a set made for me.

After I received the tuning forks and began talking about them around the country, I noticed that people were resonating with the information about these powerful frequencies. It felt as though something was going on in a much larger picture. We were connecting energetically to this information, and yet I didn’t know what I was going to do with the tuning forks. Then people began to ask if I could use the tuning forks on them. From those experiences, and with information I had gathered, a method and technique began to develop. I called the technique SomaEnergeticsTM, which is designed to utilize the optimum energy of the Solfeggio frequencies using tuning forks. Soma, meaning "body" in the Greek, combines the wholistic idea of the body as an energy field - SomaEnergeticsTM.
When starting these first tunings, the main frequency that I knew the most about was 528 Hz – that biochemists are using for DNA repair. I realized that the right side of the body is controlled by the left-brain, and the left side by the right brain and that these correspond with our inner male and female energies. As I took the fork down each side of the body, I could get in touch with the dominate ancestral DNA that comes thru the Mother’s side or Father’s side of the chromosomes. I would many times get a tremendous imbalance in the sound between the two sides. The purpose of energy work, as many of you know, is to attain balance. For example, if everything is in balance, such as the ph level, the physical body can heal more naturally. It’s the same way in our energy bodies. If we can find that energy balance, that equilibrium, where everything aligns or everything comes into synchronization into the rhythm of the dance of life – then healing becomes the natural state. It’s nothing supernatural, or miraculous. I think a lot of spiritual texts have referred to this idea when they describe, "going home to heaven." Heaven, to me, is the complete synchronization with higher frequencies and vibrations of creation being totally entrained. In other words, being in a state of at-one-ment.
When I would continue to do the technique, the sound would begin to even out between the male and female sides of the body, and the client would indicate they were "feeling" a shift. As that would occur, I was totally amazed, and asked myself, "What is happening here?" Although I’ve been a speaker of spiritual things for over 40 years, I can’t tell you that I’ve been the most intuitive person in the world. All of a sudden I started having certain feelings about what to do with the forks. I found that at some point in working with the client, I stopped "doing" the tuning forks (being the initiator of the technique), and they started "doing me" – seeming to direct the movement of the Forks! After hundreds of tunings and positive testimonies, I have learned to trust the Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate modality.

Energy and Relationship

Everything is relationship. I remember Dr. Fred Wolf, who is a physicist stating on a tape "Everything is consciousness." He further noted, "When you are observing an object, on some level the object is observing you." As I listened to that statement, I thought it was strange. I then realized that because something doesn’t have a human consciousness, as I do, that doesn’t mean it doesn’t have it’s own consciousness. Apparently, observing something changes it on some level – that the observer, and the observed are one.

I treat the Solfeggio tuning forks as a conscious "entity." They are energy, they’re vibration, they’re frequency – the client is vibration, frequency and energy – I am vibration, frequency and energy. All of that coming together begins to produce a synergetic experience that takes place on many levels. The energy bodies that we focus on using the Solfeggio Frequencies are the physical, the etheric, the mental/emotional, and the astral.
Sound, Vibration and Form

For more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes. Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well).1

In 1815, Mathematician Nathaniel Bowditch followed up on Chaldi’s discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each other—such as 1:1, 1:2, 1:3 and so on.2

The study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics. According to John Beaulieu, in Music and Sound in the Healing Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration." The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."

"Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy." David Bohm

Jenny concluded that were examples of cymatic elements everywhere—"vibrations, oscillations, pulses, wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions"—and they effected everything including biological evolution. The evidence convincingly demonstrated that all natural phenomena were ultimately dependent on, if not entirely determined by the frequencies of vibration. He argued that physical healing could be aided or hindered by tones. Different frequencies influenced genes, cells, and various structures in the body, he claimed.

Vibration of Music of the Spheres: "Every cell pulsates, reflects and interacts with acoustic oscillations of the medium. Even the earth and sun vibrate in unison based on a main rhythm of 160 minutes. Each musical note is therefore united to non-audible notes of higher octaves, and each symphony to other symphonies that we do not hear, and although they make our cells oscillate and possibly resonate. Even DNA has it’s own melody. The musical nature of nuclear matter from atoms to galaxies is now recognized by official science."3 In " Molecules of Emotion," by Candice Pert, Ph.D., she writes, "… basically, receptors function as scanners (sensing molecules, on a cellular level). They cluster in cellular membranes, waiting for the right ligand (much smaller molecules than receptors), to come dancing along (diffusing) through the fluid surrounding each cell, and mount them – binding with them and (tickling ) them to turn them on and get them motivated to vibrate a message into the cell. Binding of the ligand to the receptor is likened to two voices, striking the same note and producing a vibration that rings a doorbell to open the doorway to the cell."

Poet Cathie Guzetta summarized this science best when she wrote:

"The forms of snowflakes and faces of flowers may take on their shape because they are responding to some sound in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some way, music that has taken on visible form."

How Did The Solfeggio Frequencies Get Lost?

I discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious – accessing insights beyond belief systems.

As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, "as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other." It’s this whole energetic dance ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks – it can be a way to direct energy for transformational purposes.

Vibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, it’s nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Sound—whether it’s chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention.

When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the clergyman asked what he could assist Dr. Puleo with:

"Can you decipher Mediaeval Latin?’
‘Absolutely!’
‘And you know the musical scale and everything?’
‘Absolutely!’
‘Well then, could you tell me what ‘UT - queant laxis’ means?’
After a brief pause, the Monsignor quipped, ‘It’s none of your business’
Then he hung up."1

Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who "argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith."1 Moreover, Professor Apel reported that "one-hundred fifty-two chants were apparently missing. The Catholic Church presumably "lost" these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio."1 Trust me, nothing is lost, it’s just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.
According to Professor Willi Apel,1 "The orgin of what is now called Solfeggio...arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence "Ut" was artificially replaced by "Do." Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added "Si" for the seventh note of the scale, in order to complete the series."
Further research states that, "Pope Johannes later became a saint - Saint Iohannes - and then the scale was changed. The seventh note "Si" was added from his name. "Si" later became "Ti." These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church’s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more "Godlike," the changes affected alterations in conceptual thought as well, further distancing humanity from God." In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the "secret ear." Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes."1

I’d heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from "The Sound of Music." I literally have a "brain cell firing" as it is engraved into my brain, and I see her coming over the mountain in the movie. I didn’t realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.

Looking at the definitions of each of the original syllables, using hidden entries from Webster’s Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & expressing yourself and finally, becoming more intuitive.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish that were put into "lost" hymns and Gregorian chants?

I think we are living in a tremendously wonderful time, and rather than seeing the glass as "half empty," I see it as "half full." Rather than accepting "CNN’s perspective" of the world view, it’s about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it’s all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them.

It’s all about assisting other people. It’s not to be their "Healer," but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work with—whether it’s Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that you’ve empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of "Spiritual Wholeness."

1 "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From "Man’s Cosmic Game" by Guiliana Conforto
The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

In the book of Genesis it states that there are six days of creation. Yet many talk about the creation week – or seven days, and the Christian Bible views the number seven as the number of completeness. Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that there were only seven planets.

When wrestling with adding a 7th number, I was mystically drawn to an article in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, "These six numbers constitute a recipe for the universe." He adds that if any one of the numbers were different "even to the tiniest degree, there would be no stars, no complex elements, no life." (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho’s great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.

Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the solfeggio, they are even more powerful as these combinations serve as "portals" to other dimensions!

Just Intonation – 12 Tone Equal Temperament

As I observed earlier, another reason these Ancient Solfeggio frequencies became "lost" was because of the change in tuning practices throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known as Just Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries, and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just Intonation Primer, should give an idea of the confinement that music has been relegated to. "Essentially, music has been placed in a box of limitations"— as the result of the rigidity imposed by the Twelve-Tone Equal Temperament tuning standards in use today.

"Although it is difficult to describe the special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison."

Just Intonation can be found in many of the great Fathers of Classical Music – Beethoven and Hyden, just to name a few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and space and brings us into our higher chakras.

Native American chanting is many times based on Just Intonation. The chanting seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.

How these different types of tones affect our health

Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness—all of which then tend to manifest into physical symptoms of "dis-ease."
This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.

Again, it should be noted that although there are contemporary notes that approximate the Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528 Hz. The closest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.

1 - Professor Apel’s and Dr. Puleo’s remarks as reported in "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pages 58-61
2- Hidden Entry Meanings from the book, "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pgs. 166-67

What are the Ancient Solfeggio Frequencies?

Transformational Tuning Forks and CD's based on the ancient Solfeggio Frequencies.
Download Printable version of the full booklet: Forgotten In Time: The Ancient Solfeggio Scale (.pdf 233kb)

Other Resources:
John Beaulieu, "Music and Sound in the Healing Arts." Station Hill Press, 1987
Giuliana Conforto, "Man’s Cosmic Game," Edizioni Nowsis, 1998
David B. Doty, "Just Intonation Primer"
Jonathan Goldman, "Healing Sounds: The Power of Harmonics," Element Books, 1992
Leonard Horowitz and Joseph Puleo, "Healing Codes for the Biological Apocalypse," Tetrahedron Publishing Group, 1999
Candice Pert, PhD, "Molecules of Emotion"
Michael Talbot, "The Holographic Universe"
Dr. Rees, "Just Six Numbers"
Article by David Hulse, D.D. - www.somaenergetics.com

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Evolving consciousness with the frequency of love in 528

Congratulations for arriving at LOVE528.com.

Music is the “universal language.” LOVE is the “universal healer,” and Water is the “universal solvent.” Put them all together and you have the best kept secret in history--a truth so freeing to human conscientiousness that it will hasten the Spiritual Renaissance.

Here you will learn what everyone seeks yet few find. Master musicians and vocalists experience it--a Oneness with the Source of creation and creative inspiration--when they perform optimally. But they haven’t yet figured out how to get “the world to sing in perfect harmony.”

Here you will learn how and why this must all be done using your “inner ear” or the “heart of music;” the LOVE and joy connection that you can evolve yourself to master, as with any art or science in which one fully engages.

528 is the supreme musical gift of enlightened intelligence and divine sustenance from your creative Source. Here you will learn more than how and why you need to retune your instruments to 528Hz.

528 is a simple number that is central to the “musical mathematical matrix of creation.” This LOVE vibration harmonically resonates in your heart inaudibly connecting your spiritual essence to the spiraling reality of heaven and earth. Even the parallel universes connect to the center of your heart by this LOVE channel broadcasting matter and energy according to the laws of physics. In fact, 528 is fundamental to these laws. This frequency, more than any other, epitomizes the unified field of musical metaphysics in the matrix of the spiraling fractal universe.

Indeed, 528Hz is at the heart of everything. It is the difference between making love not war. It is the energy driving universal prosperity; the bioenergy of health and longevity. It is the harmonic vibration of self-esteem or self-love that lifts your heart and Divine voice in harmony with heaven. There is nothing missing or broken in this loving perfection. When you are in it, you are in tune with your creative spirit, and everything just flows in perfect rhythm and rhyme.

This LOVE528.com website is published to benefit music makers and planetary well-wishes based on works by Dr. Leonard G. Horowitz, Don Nicoloff, Jonathan Goldman, and many others. Dr. Horowitz is an internationally renowned health science investigator, author, and speaker. Don Nocoloff is the Executive Producer of Tetrahedron Records, a radio talk show host and author, as well as a technical genius who began experimenting with the “LOVE tone”—528Hz frequency—long before Dr. Horowitz made famous his exquisite 528Hz determinations.

To introduce this subject of music played in “the frequency of LOVE” (some say “key” of LIFE), what Dr. Horowitz believes is the “key to the house of David” heralded in the Bible, CLICK HERE. This link takes you to an article authored by Dr. Horowitz that regards opening the portals to spiritual transformation while transitioning into the Age of Peace.

Study Dr. Horowitz’s book, LOVE the Real Da Vinci CODE, and do the exercises provided therein. Watch the LOVE CODE DVD for more insight, facts, and recent revelations in science paralleling ancient prophesy, including recent Bible decodings. Consider Dr. Horowitz’s decryption of Leonardo Da Vinci’s most famous drawing, the “Vitruvian [Wo]Man,” and you will better understand why 528 is love.

For more technical information for musicians about the LOVE Hertz frequency of 528, as well as 417Hz--the frequency of cosmic resonance--click on “The Technology” tab above. Here Don Nicoloff counsels advanced musicologists, and technically curious musicians, by answering questions posed by Austrian musician, and LIVE H2O concert organizer, Dainis Michel.

Finally, before tuning your instruments to 528Hz using the tone generator linked at the top of this website, review Jonathan Goldman’s and Dr. Horowitz’s contributions in the 528 Community Blog also linked above.

Link:

http://web.mac.com/len15/LOVE528/HOME.html

---

Dr. Leonard Horowitz - The Pharmaceutical Industry, Vaccines & Frequency 528

March 5, 2009

http://www.redicecreations.com/radio/2009/03mar/RICR-090305.php

Dr. Leonard Horowitz the author of "Healing Codes for the Biological Apocalypse", "Dna: Pirates Of The Sacred Spiral", "Emerging Viruses: AIDS And Ebola : Nature, Accident or Intentional?", "Death in the Air: Globalism, Terrorism & Toxic Warfare", "Walk on Water" joins us to discuss his research, books and upcoming appearance on the Alternative View II Conference. Topics Discussed: the crimes of the pharmaceutical industry, Vaccination, the wonders and miracle of the human DNA, healing with water and Frequencies, the "love" frequency 528, Center of the light and sound spectrum, genocide, depopulation, cell phone frequencies and Wi-Fi, A440, Akiana, Indigo Children, Mass Control, Merck, Bayer, Music and much more. Join us in our members section as we continue to talk about AIDS, Vaccines, GMO, Healing properties of Water, Alphanumerics, the English Language and much more.

Link to audio:

http://www.redicecreations.com/radio/2009/03mar/RICR-090305-lhorowitz.mp3

---

Listen what he has to say about 440 Hz and 528 Hz.

More from Yahoo:

http://search.yahoo.com/search?ei=UTF-8&fr=yfp&p=528+hz+dna+repair&rs=0&fr2=rs-top

IZAKOVIC
http://www.deepspace4.com

jesuitsdidit
09-03-2009, 10:02 PM
isnt Tetra on 440 Hz?

coco
09-03-2009, 11:16 PM
My obviously untrained ear heard that sound they used to play when the television stations signed off for the night.

jolinemaria
09-03-2009, 11:49 PM
528 Hz Frequency Transformation and Miracles (DNA Repair) - YouTube

coco
10-03-2009, 01:13 AM
^^

That is definitely not the same video I clicked on earlier. :)

beldazar
10-03-2009, 08:11 AM
Great post Jesuitsdidit! :)

I get a bit confused with this though, I thought that it was the 'c' note that resonated with 440hz and that it should be changed to 432hz

http://www.davidicke.com/forum/showthread.php?t=26839&highlight=432hz

I spent hours trying to convert my sons music to 432 for his MP3 player and it came out as 320 for some strange reason......

Music certainly sounds loads better with 432, but its not part of the solfeggio scale, the nearest to it is 417hz.

Anyway...432 adds up to 9 so sounds like it fits in.

Can anyone clear this up?

jolinemaria
10-03-2009, 08:19 AM
^^

That is definitely not the same video I clicked on earlier. :)

True, I changed it within minutes.
Apparantly, you were too fast for me.

ben1338
10-03-2009, 09:25 AM
Great post Jesuitsdidit! :)

I get a bit confused with this though, I thought that it was the 'c' note that resonated with 440hz and that it should be changed to 432hz



I know for sure that 440hz is equal to the A note.

gilly
10-03-2009, 09:29 AM
If anyone's not read up on crystal "singing" bowls, there's a link here. It's very interesting.

I'd also recommend a book by ted Andrews called "Crystal balls & Crystal bowls".

http://www.crystalinks.com/crystalbowls.html

kale
10-03-2009, 09:33 AM
I remember reading somewhere recently that the digital 'revolution' will push all music and so on to crazy high frequencies that just don't sit right with humans...

Its why I love analog ,

TB303 baby....

beldazar
10-03-2009, 09:36 AM
I know for sure that 440hz is equal to the A note.


Thanks! As you can guess Im no musician

kale
10-03-2009, 09:42 AM
I know for sure that 440hz is equal to the A note.


I think in the long run one has to forget traditional western musical styles to fully comprehend this.........yes frequencies are a part of musical notation to a certain extent however frequency 'boundaries' can be placed on pretty much any 'sample' using a computer/hardware.

hugolast
10-03-2009, 10:55 AM
what frequencies would the strings on a guitar be then? i'm a bit confused but would like to try it :)

gilly
10-03-2009, 11:01 AM
I hope someone reads the post I put on here re crystal bowls, because I'm wondering if they could be utilised as a defence against half the weaponary that's been developed over recent years...it's all about creating resonances, certain ones of which can produce very sinister reactions in the human body & mind. Perhaps something as simple as creating the right resonances with the bowls can counter these attacks.

I'm looking for some feedback.

jolinemaria
10-03-2009, 11:15 AM
what frequencies would the strings on a guitar be then? i'm a bit confused but would like to try it :)


It is quite easy to tune your guitar at 432 hertz. Just read this link. It says it is tough, but it isn't. Just buy a tuningfork at 432 hertz and tune your A string. Adjust the rest from there. Or buy an adjustable tuning device.
http://answers.yahoo.com/question/index?qid=20080522142715AAG4btI

Also check out this site: http://www.omega432.com/

drc_
10-03-2009, 12:42 PM
In 1939 Nazi propaganda minister Joseph Goebbels dictated 440Hz as the standard tuning pitch. This to let people think and feel in a certain manner, and to keep them a prisoner of a certain consciousness. This in spite of that Professor Dussaut from the Paris Conservatory wrote a referendum that was signed by 23,000 French musicians who all were for the preservation of the A= 432Hz. Freedom of choice in bringing back the frequency of the earth is what it's all about today.

432Hz quality
Music on a basis tone of A=432Hz is more transparent, more marked, clearer, gives an obvious musical picture and the Overtones and undertones moves more freely and can multiply themselves more. Music based on 440Hz represents emotions and locks up the head. By lowering the pitch 440Hz - 8Hz to 432Hz, the music changes. Which first was painful to the ear changes into a beautiful, warm music whereby relaxation is natural. Overtones are decisive for the sound, this holds for instruments as well as the human voice. The piano tuned in A= 440Hz creates an artificial clarity and strengthens the high stress levels of today. The instruments on which Mozart and Verdi composed their masterpieces were in 432Hz -is the same as C=256Hz- pitched. The original Stadivarius violin was developed to resonate at 432Hz.

It's another form of vibrational manipulation.. 432 is natural!

Haven't heard about 528 though, worth looking up. Thnx!

drc_
10-03-2009, 12:44 PM
Great post Jesuitsdidit! :)

I get a bit confused with this though, I thought that it was the 'c' note that resonated with 440hz and that it should be changed to 432hz

http://www.davidicke.com/forum/showthread.php?t=26839&highlight=432hz

I spent hours trying to convert my sons music to 432 for his MP3 player and it came out as 320 for some strange reason......

Music certainly sounds loads better with 432, but its not part of the solfeggio scale, the nearest to it is 417hz.

Anyway...432 adds up to 9 so sounds like it fits in.

Can anyone clear this up?

320 is probably the bitrate of the mp3 file. This isn't the Hz frequency.

What you want to do is convert the mp3's back to wav, then bring it back to 432hz, and then convert them back to mp3.

astrochicken
10-03-2009, 01:34 PM
[QUOTE=beldazar;855106
I get a bit confused with this though, I thought that it was the 'c' note that resonated with 440hz and that it should be changed to 432hz
[/QUOTE]


The 440Hz vs. 432Hz regards the note "A"

THe former is DIN#16 and the latter (sympathetic resonance) was known as "Verdi's A"

440Hz is a man-made construct and pitch change, which if you're familiar with Prof Dr Hans Jenny's field of cymatics just shows a continual interference pattern with no sympathetic vibrations whatsoever... just overlapping interference.. like throwing a handfull of stones in to a pond.

432Hz is, when viewed cymatically, a perfect circle with one single dot in the middle.. the equivalent of throwing ONE stone in to a pond.

You, are 73% water, if you are bombarded with sound, then this will either vibrate sympathetically (on the basis of 432Hz and the solfeggio scales) or you will experience interference (what TPTB achieved by shifting "A" by 8Hz.


For futher reading i can really recommend Jenny's works on cymatics, and Walter Russel's book "the universal one" published in the 1920's.


THEY know how to effect mood swings, confusion, melancholy and whatever they wish purely through the audible (and inaudbile sound spectrum) hence the advance of digital television,mobile phones and their "sound of silence" technology.

beldazar
10-03-2009, 01:54 PM
320 is probably the bitrate of the mp3 file. This isn't the Hz frequency.

What you want to do is convert the mp3's back to wav, then bring it back to 432hz, and then convert them back to mp3.


Thanks DRC, I will give it another go...not that I know what bitrate is...:o

bagatell
10-03-2009, 05:38 PM
432Hz is, when viewed cymatically, a perfect circle with one single dot in the middle..

Thanks for that. A few more pieces of the puzzle just slipped into place.

coco
10-03-2009, 09:11 PM
True, I changed it within minutes.
Apparantly, you were too fast for me.

Sorry Jolinemaria. :(

I do that sometimes. Thank you for posting the other one. Much nicer to listen too. :)

coco
10-03-2009, 09:15 PM
I remember reading somewhere recently that the digital 'revolution' will push all music and so on to crazy high frequencies that just don't sit right with humans...

Its why I love analog ,

TB303 baby....

Never thought about that. Good point you raised.


It's another form of vibrational manipulation.. 432 is natural!

Haven't heard about 528 though, worth looking up. Thnx!

I can't believe how invasive into to even the most minute of things they were. Very interesting. Thank you.

chromeranger
10-03-2009, 10:51 PM
Also check out this site: http://www.omega432.com/

Very informative link. Thanks

brain
10-03-2009, 11:49 PM
I remember reading somewhere recently that the digital 'revolution' will push all music and so on to crazy high frequencies that just don't sit right with humans...

Its why I love analog ,

TB303 baby....

Where'd you read that?

I remember reading somewhere that there will never be enough computing power for there to be a high enough sample rate for digital music to ever come close to analog. There will always be gaps. That's why tape is so much "warmer".

thetonic
11-03-2009, 12:15 AM
[QUOTE]I remember reading somewhere recently that the digital 'revolution' will push all music and so on to crazy high frequencies that just don't sit right with humans...

They already manipulate with both sonic spectrums, but yes digital can be much more useful for them

Its why I love analog ,

TB303 baby....

ACID GOOD

thetonic
11-03-2009, 12:17 AM
The 440Hz vs. 432Hz regards the note "A"

THe former is DIN#16 and the latter (sympathetic resonance) was known as "Verdi's A"

440Hz is a man-made construct and pitch change, which if you're familiar with Prof Dr Hans Jenny's field of cymatics just shows a continual interference pattern with no sympathetic vibrations whatsoever... just overlapping interference.. like throwing a handfull of stones in to a pond.

432Hz is, when viewed cymatically, a perfect circle with one single dot in the middle.. the equivalent of throwing ONE stone in to a pond.

You, are 73% water, if you are bombarded with sound, then this will either vibrate sympathetically (on the basis of 432Hz and the solfeggio scales) or you will experience interference (what TPTB achieved by shifting "A" by 8Hz.


For futher reading i can really recommend Jenny's works on cymatics, and Walter Russel's book "the universal one" published in the 1920's.


THEY know how to effect mood swings, confusion, melancholy and whatever they wish purely through the audible (and inaudbile sound spectrum) hence the advance of digital television,mobile phones and their "sound of silence" technology.

Awesome stuff astrochicken!

armoured_amazon
11-03-2009, 12:18 AM
Dunno if I've posted in it before, but great thread!

karmic
11-03-2009, 12:31 AM
i dont really know anything about music,but in once in meditation i was told that we each have a tone that we resonate with on a soul level,so if what you are saying is that music is being produced in the wrong way, then if that changes maybe more people will awaken through music,awaken to there own personal tone,just a thought

astrochicken
11-03-2009, 09:14 AM
I remember reading somewhere recently that the digital 'revolution' will push all music and so on to crazy high frequencies that just don't sit right with humans...

Its why I love analog ,

TB303 baby....

http://www.hothousestudios.com/images/Behringer-logo1.jpg

Behringer are huge

BEHRINGER is a world-leading designer, manufacturer and distributor of professional audio equipment, musical instruments and their related products. The Company provides a comprehensive product range covering multiple product categories to a wide spectrum of end-users including professionals, corporations and amateurs, as well as for public and commercial applications. They include Audio Technology, Computer-based Recording and DJ products, Loudspeakers/Amplifiers, Microphones/Headphones/Wireless Systems, Mixers/Powered Mixers, Musical Instrument Amplification, and Professional Lighting Systems.

On pretty much any CD you listen to, you can be sure that Behringer was probably used at some point in the production process as they make everything from Mixing desks, microphones, DI boxes, headphones, AD converters etc. etc.

They are in a perfect position to "introduce" subtle changes to the audible and inaudible frequency spectrum and with a company logo like they have i don't have any doubts whatsoever.

ranran
12-03-2009, 05:38 PM
So where can I find music done at 528HZ.

I mean music similar to that found here on yuotube
http://www.youtube.com/results?search_query=528+Hz&search=Search

I'm not sure if you need the visual stuff too.

jolinemaria
12-03-2009, 06:35 PM
So where can I find music done at 528HZ.

I mean music similar to that found here on yuotube
http://www.youtube.com/results?search_query=528+Hz&search=Search

I'm not sure if you need the visual stuff too.

Check out Lenard Horowitz' site:
http://www.healthyworldstore.com/

ranran
12-03-2009, 06:53 PM
thanks.

I also went hunting for ISOs and found loads of related stuff.

musti
12-03-2009, 07:06 PM
Music on a basis tone of A=432Hz is more transparent, more marked, clearer, gives an obvious musical picture and the Overtones and undertones moves more freely and can multiply themselves more.

this is simply incorrect. 432 Hz has no clearer overtones than 440.

also, there is no proof that undertones exist at all. it might exist psychologically and that's what many music theorists have argued but you need to read philosophers and music theorists' arguments to have an opinion about that (especially riemann, helmholtz, hindemith, etc.).

musti
12-03-2009, 07:12 PM
the original post is quite interesting.

OP, if you are interested in this topic i suggest you to check zarlino's senario (numbers 1-6). in senario all consonant musical intervals can be represented by ratios of senario (2:1, 3:2, 5:4, 6:5, 5:3), though minor sixth with 8:5 falls outside senario.

number 6 was deemed the first "perfect" number as addition of its factors (except 6) gives the number itself (1+2+3).

musti
12-03-2009, 07:19 PM
just so you know: adding and subtracting digits of frequencies don't make any sense since octave equivalence (one of the most universal aspects of music and exist in nearly all cultures) is logarithmic. also it doesn't make sense because humans are at least physiologically incapable of hearing the difference between 880 and 881 or 882. as you go higher up it becomes even harder. for example, a7 with a frequency of 3520 sounds exactly the same as 3521 or even 3530.

also, since most humans dont have perfect (or absolute) pitch there is no difference between 440 and 432 at least on a conscious level (though there might be a subconsciouss effect).

music is relation of tones not tones themselves. in that sense 440 vs 432 doesnt make any sense to me given that both are used in an equal temperament context. but the differences between temperaments are important since they contain different interval ratios and thus relations between the tones.

musti
12-03-2009, 07:21 PM
if anyone is interested there is a network of people who advocate for just intonation (as opposed to equal temperament).

http://www.justintonation.net/

jolinemaria
12-03-2009, 07:32 PM
just so you know: adding and subtracting digits of frequencies don't make any sense since octave equivalence (one of the most universal aspects of music and exist in nearly all cultures) is logarithmic. also it doesn't make sense because humans are at least physiologically incapable of hearing the difference between 880 and 881 or 882. as you go higher up it becomes even harder. for example, a7 with a frequency of 3520 sounds exactly the same as 3521 or even 3530.

also, since most humans dont have perfect (or absolute) pitch there is no difference between 440 and 432 at least on a conscious level (though there might be a subconsciouss effect).

music is relation of tones not tones themselves. in that sense 440 vs 432 doesnt make any sense to me given that both are used in an equal temperament context. but the differences between temperaments are important since they contain different interval ratios and thus relations between the tones.


Here's a Dutch site where you can compare songs in 440 and 432.
I don't have absolute hearing, but I do hear the difference.

http://terugnaar432hz.org/pageID_5832471.html

bagatell
12-03-2009, 08:43 PM
also, since most humans dont have perfect (or absolute) pitch there is no difference between 440 and 432 at least on a conscious level (though there might be a subconsciouss effect)

That´s what I was thinking until I heard about the cymatics thing.

And given that A@432Hz supposedly gives you a circle with a dot in the middle
what would 528Hzlook like and what note would that be?

musti
12-03-2009, 08:47 PM
Here's a Dutch site where you can compare songs in 440 and 432.
I don't have absolute hearing, but I do hear the difference.

http://terugnaar432hz.org/pageID_5832471.html

yes but if i played one of them tomorrow morning and asked you which one i played, you wouldn't know unless you have perfect pitch. when you listen one after the other you are comparing them (the difference); hence my comment about relationships of the tones rather than tones fixed themselves.

most humans including musicians cannot tell the difference between A and D let alone A and a frequency close to A without a reference point. of course almost everyone including you hear the difference when they are played successively.

the point is you can't tell the difference between 440 and 432 unless you have a reference point. if the entire tuning system was adjusted to 432 you wouldn't know it.

musti
12-03-2009, 08:50 PM
That´s what I was thinking until I heard about the cymatics thing.

And given that A@432Hz supposedly gives you a circle with a dot in the middle
what would 528Hzlook like and what note would that be?

what you were thinking is correct and is confirmed by experience every single day by me and by others. most people can't hear tones as pitch or frequency without a reference point.

cymatics does not show otherwise. however, cymatics is interesting and potentially could reveal the subconscious effects of tones on us.

musti
12-03-2009, 08:56 PM
what would 528Hzlook like and what note would that be?

i don't know what it looks like but 528hz is quite close to C5 (523). it is quite close because the next pitch in the frequency continuum is C#5 with a freq of 554.

btw, talking about what sounds look like, the closest we get to know what sounds look like is what people with synesthesia tell us and is very subjective.

Synesthesia - Wikipedia, the free encyclopedia

some time ago i mapped the sound specturm on the color spectrum and was surprised to find that one octave correlates to our entire visual spectrum, which means that each note would get only one color!

jolinemaria
12-03-2009, 09:01 PM
yes but if i played one of them tomorrow morning and asked you which one i played, you wouldn't know unless you have perfect pitch. when you listen one after the other you are comparing them (the difference); hence my comment about relationships of the tones rather than tones fixed themselves.

most humans including musicians cannot tell the difference between A and D let alone A and a frequency close to A without a reference point. of course almost everyone including you hear the difference when they are played successively.

the point is you can't tell the difference between 440 and 432 unless you have a reference point. if the entire tuning system was adjusted to 432 you wouldn't know it.

Ah, I get your point.

ytch
12-03-2009, 09:01 PM
http://www.hothousestudios.com/images/Behringer-logo1.jpg

Behringer are huge



On pretty much any CD you listen to, you can be sure that Behringer was probably used at some point in the production process as they make everything from Mixing desks, microphones, DI boxes, headphones, AD converters etc. etc.

They are in a perfect position to "introduce" subtle changes to the audible and inaudible frequency spectrum and with a company logo like they have i don't have any doubts whatsoever.

Hi there, that´s funny, I just posted the Behringer logo (not to mention the slogan)on the symbolism forum a few weeks ago...

musti
12-03-2009, 09:08 PM
Ah, I get your point.

of course this doesn't mean 432 have the same effect on you as 440. it just means it doesn't have any conscious (and i guess observable) effect on you.

i find most of us not having perfect pitch quite funny. it's like not knowing what red is every morning you wake up :)

astrochicken
12-03-2009, 09:58 PM
of course this doesn't mean 432 have the same effect on you as 440. it just means it doesn't have any conscious (and i guess observable) effect on you.

i find most of us not having perfect pitch quite funny. it's like not knowing what red is every morning you wake up :)


At one of our last gigs we intentionally tuned down to 432HZ (we all play stringed instruments bar the drummer;) ).

The effect was noticeable
1. The songs were much more laid back and generally more uplifting and easier on the ears.
2. We were energized as was the audience (we played from 7pm till about 3am when they stopped dancing)
3. The bloody guitars were'nt used to it and thus went out of tune more often.

I'm sure the majority hasn't got a clue what pitch is, let alone perfect.. which, in itself is a misnomer as 440Hz is in no way perfect.
I do think however, that most will be able to *feel* the difference.

disorder2k8
12-03-2009, 10:41 PM
http://i197.photobucket.com/albums/aa63/Disorder2k7/COSMIC_VIBRATIONS.jpg

slightly bigger version available on request (photobucket resized it)

bagatell
12-03-2009, 11:24 PM
i don't know what it looks like but 528hz is quite close to C5 (523). it is quite close because the next pitch in the frequency continuum is C#5 with a freq of 554.

Thats 12TET?

helloperator
12-03-2009, 11:27 PM
Great post Jesuitsdidit! :)

I get a bit confused with this though, I thought that it was the 'c' note that resonated with 440hz and that it should be changed to 432hz

http://www.davidicke.com/forum/showthread.php?t=26839&highlight=432hz

I spent hours trying to convert my sons music to 432 for his MP3 player and it came out as 320 for some strange reason......

Music certainly sounds loads better with 432, but its not part of the solfeggio scale, the nearest to it is 417hz.

Anyway...432 adds up to 9 so sounds like it fits in.

Can anyone clear this up?

lol are you talking about frequency or bit rate?

unusual_suspect
12-03-2009, 11:29 PM
http://i197.photobucket.com/albums/aa63/Disorder2k7/COSMIC_VIBRATIONS.jpg

slightly bigger version available on request (photobucket resized it)

Isn't that stuff meant to be secret ;)

beldazar
12-03-2009, 11:32 PM
At one of our last gigs we intentionally tuned down to 432HZ (we all play stringed instruments bar the drummer;) ).

The effect was noticeable
1. The songs were much more laid back and generally more uplifting and easier on the ears.
2. We were energized as was the audience (we played from 7pm till about 3am when they stopped dancing)
3. The bloody guitars were'nt used to it and thus went out of tune more often.

I'm sure the majority hasn't got a clue what pitch is, let alone perfect.. which, in itself is a misnomer as 440Hz is in no way perfect.
I do think however, that most will be able to *feel* the difference.

Ah nice one Astrochicken! I wish everyone would change theirs.

When I changed my sons Dr Who tracks to 432 there was definitely a change, it was the difference between turning the track off half-way through and wanting to listen to the end. Its subtle,but is gentler and more harmonious.

musti
12-03-2009, 11:37 PM
At one of our last gigs we intentionally tuned down to 432HZ (we all play stringed instruments bar the drummer;) ).

The effect was noticeable
1. The songs were much more laid back and generally more uplifting and easier on the ears.
2. We were energized as was the audience (we played from 7pm till about 3am when they stopped dancing)
3. The bloody guitars were'nt used to it and thus went out of tune more often.

I'm sure the majority hasn't got a clue what pitch is, let alone perfect.. which, in itself is a misnomer as 440Hz is in no way perfect.
I do think however, that most will be able to *feel* the difference.

transpose down by a semitone or tone, maybe the key you played in was too high for your voice or instruments. i don't think it has to do with 432. if you played 428 perhaps it would be better...

the term "perfect" doesn't refer to 440, it refers to one's hearing ability.

musti
12-03-2009, 11:40 PM
Thats 12TET?

yes.

darryl84
13-03-2009, 01:39 AM
CHEMTRAILS: INVASIVE MOLD (AIRBORNE) INFECTIONS INCREASE MORTALITY AMONG IMMUNOCOMPROMISED (BY CHEMTRAILS & RF) PATIENTS.

HEALING DNA FREQUENCY: 528 Hz, OR WHY WE ALL ARE UNDER 440 Hz?

http://www.rumormillnews.com/cgi-bin/forum.cgi?read=142816

Posted By: IZAKOVIC <Send E-Mail>
Date: Monday, 9 March 2009, 2:49 p.m.

In Response To: CHEMTRAILS: INVASIVE MOLD (AIRBORNE) INFECTIONS INCREASE MORTALITY AMONG IMMUNOCOMPROMISED (BY CHEMTRAILS & RF) PATIENTS (IZAKOVIC)

...

Study Dr. Horowitz’s book, LOVE the Real Da Vinci CODE, and do the exercises provided therein. Watch the LOVE CODE DVD for more insight, facts, and recent revelations in science paralleling ancient prophesy, including recent Bible decodings. Consider Dr. Horowitz’s decryption of Leonardo Da Vinci’s most famous drawing, the “Vitruvian [Wo]Man,” and you will better understand why 528 is love.

For more technical information for musicians about the LOVE Hertz frequency of 528, as well as 417Hz--the frequency of cosmic resonance--click on “The Technology” tab above. Here Don Nicoloff counsels advanced musicologists, and technically curious musicians, by answering questions posed by Austrian musician, and LIVE H2O concert organizer, Dainis Michel.

Finally, before tuning your instruments to 528Hz using the tone generator linked at the top of this website, review Jonathan Goldman’s and Dr. Horowitz’s contributions in the 528 Community Blog also linked above.

Link:

http://web.mac.com/len15/LOVE528/HOME.html

---

Dr. Leonard Horowitz - The Pharmaceutical Industry, Vaccines & Frequency 528

March 5, 2009

http://www.redicecreations.com/radio/2009/03mar/RICR-090305.php

Dr. Leonard Horowitz the author of "Healing Codes for the Biological Apocalypse", "Dna: Pirates Of The Sacred Spiral", "Emerging Viruses: AIDS And Ebola : Nature, Accident or Intentional?", "Death in the Air: Globalism, Terrorism & Toxic Warfare", "Walk on Water" joins us to discuss his research, books and upcoming appearance on the Alternative View II Conference. Topics Discussed: the crimes of the pharmaceutical industry, Vaccination, the wonders and miracle of the human DNA, healing with water and Frequencies, the "love" frequency 528, Center of the light and sound spectrum, genocide, depopulation, cell phone frequencies and Wi-Fi, A440, Akiana, Indigo Children, Mass Control, Merck, Bayer, Music and much more. Join us in our members section as we continue to talk about AIDS, Vaccines, GMO, Healing properties of Water, Alphanumerics, the English Language and much more.

Link to audio:

http://www.redicecreations.com/radio/2009/03mar/RICR-090305-lhorowitz.mp3

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Listen what he has to say about 440 Hz and 528 Hz.

More from Yahoo:

http://search.yahoo.com/search?ei=UTF-8&fr=yfp&p=528+hz+dna+repair&rs=0&fr2=rs-top

IZAKOVIC
http://www.deepspace4.com

Interesting, 528 hertz music baby! :D

helloperator
13-03-2009, 02:24 AM
You quoted the entire massive OP to make that comment?

darryl84
13-03-2009, 03:31 AM
You quoted the entire massive OP to make that comment?

You posted a comment about how i posted my comment? How far do you want to go with this?

brain
13-03-2009, 06:03 AM
CHEMTRAILS: INVASIVE MOLD (AIRBORNE) INFECTIONS INCREASE MORTALITY AMONG IMMUNOCOMPROMISED (BY CHEMTRAILS & RF) PATIENTS.

HEALING DNA FREQUENCY: 528 Hz, OR WHY WE ALL ARE UNDER 440 Hz?

http://www.rumormillnews.com/cgi-bin/forum.cgi?read=142816

Posted By: IZAKOVIC <Send E-Mail>
Date: Monday, 9 March 2009, 2:49 p.m.

In Response To: CHEMTRAILS: INVASIVE MOLD (AIRBORNE) INFECTIONS INCREASE MORTALITY AMONG IMMUNOCOMPROMISED (BY CHEMTRAILS & RF) PATIENTS (IZAKOVIC)

Equal Temperament Scale

Modern keyboards are tuned to a scale known as the Equal Temperament Scale. This is a compromise between playing something that sounds musically correct and the ability to play in any key. When you sing a major scale, you subconsciously use a scale called the Just Intonation Scale. This is the scale that sounds right, at least to people brought up on Western music. Unfortunately there are small peculiarities of the Just Intonation Scale which make it unsuitable for keyboards, which need to able to play in different keys.
For example, when you sing do re mi starting on C, you get C, D, E. When you start on D, you get D, E, F#. The E note produced by these two sequences is not the same. The difference between them is only very slight, but it is audible to a keen ear. When tuning the keyboard, which note should the tuner use?
The Equal Temperament Scale was devised about 200 years ago to overcome these difficulties and has been used ever since.
This entry will show the mathematical basis for the Just Intonation Scale, show the problems it introduces for keyboards, some of the other scales which attempt to overcome this and then show the Equal Temperament scale, which is the accepted solution to the problems.
The mathematical basis for pitch
The pitch of a note is given scientifically by a number called its frequency. Sound is a regular vibration of the air. Frequency is the number of vibrations per second. The more vibrations per second, the higher the frequency, the higher the pitch. The unit of frequency is hertz, abbreviated Hz. The note A, which is used for tuning orchestras, is 440 Hz, which means 440 vibrations per second.

More:

http://www.bbc.co.uk/dna/h2g2/alabaster/A428852

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Forgotten In Time: The Ancient Solfeggio Frequencies

Source:

http://www.lightwithin.com/SomaEnergetics/2About_Solfeggio.htm

Article by David Hulse, D.D. - www.somaenergetics.com

A Little History
Repairing DNA
How I found out about the Ancient Solfeggio Frequencies
Energy and Relationship
Sound, Vibration and Form
How Did The Solfeggio Frequencies Get Lost?
The 3, 6, and 9
Just Intonation – 12 Tone Equal Temperament
How these different types of tones affect our health
What are the Ancient Frequencies?

A Little History

At the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%) of those instructions make up our physiology.
Carl Sagan writes that most of our genetic information (about 97%) is unused DNA. He refers to this as "genetic gibberish." Is it possible that most of who we are still lies dormant as our human potential?
In the old paradigm of religion, "potential" remained a mystery to the human mind, therefore we coined a mystical term called "SPIRIT." "Spirit" was something that was detached from who we were, something we didn’t have and could only be gained through the systems of most religions.
The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this third/fourth time-space continuum.
Being a student of "A Course In Miracles" in the late 80’s, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until I began to study Quantum Physics which tells us that everything is energy and matter is not as solid as we perceive it to be. I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul — we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for the purpose of healing all separation. The popular term, "The Divine, is in me"- makes "me" separate from the Divine. May I suggest a shift in the saying to: "The Divine, AS me" to remove the separation.
As we move from genetics and concepts like Soul, "Soul Mates" and "Soul work," we move beyond physical diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything is everything else, (T.O.E. Theory - The Theory of Everything) —there are no boundaries. There is no "this" or "that;" no you or me. It is a pure field of awareness – consciousness. I solved the dichotomy about "we are not our body" by changing my perception of genetics to energetics - realizing that we are not meant to ignore our physiology, but recognize the body as energy, vibrating at a very dense frequency.

Repairing DNA

I was first introduced to DNA in 1988 when I was going through a transitional period, during which I felt that I had come to the end of everything that I believed. A tape was given to me of a gentleman speaking in an accent, (which I thought at the time, was rather boring), and I didn’t understand what he was talking about. Then all of a sudden, as I was ready to turn it off, he said: "Quantum physics has found that there is no empty space in the human cell, but it is a teeming, electric-magnetic field of possibility or potential." That’s all he said! But whatever frequency was contained in those words, RESONATED something inside the CORE of my BEING — and I had a KNOWING in me that the NOTHING I thought I was looking at was the EVERYTHING. Much like in Zen, and the idea of becoming "as an empty bowl." Eastern Religions (including the Bible) refer to it as the VOID – The Nothing that is EVERYTHING – The Womb of Creation. I knew that I was experiencing a re-birth! The person on that tape was Dr. Deepak Chopra.
I had never heard of Deepak Chopra in 1988, as he was just coming on the scene about that time. I credit him for a very important transition in my life, just from the statement he made on that tape. Today, in retrospect, I would call my response to that statement a "cellular memory experience." We know that intelligence is stored within the cells of the body, and when the right resonance comes and releases that information to become inherent information or inherent KNOWLEDGE – that comes from the true Self. That is why so many of us seem to jump form one stimuli to another looking for what will resonate in us.
The work being done today with energy at the cellular level really excites me, since I had been very interested in DNA before it became a household word. In fact, I think it took me two years just to learn how to pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I was determined to understand this tremendously powerful energetic blueprint for life, as we know it, at the cellular level on this planet. DNA became a part of the collective consciousness when CNN produced a special on the Genome Project in 2000.
As I pursued my passion for the study of DNA, I attended a workshop by Dr. Robert Girard from California on DNA Activation. His work focused on using certain sounds and frequencies to activate DNA and I started doing DNA Activation workshops. Through those workshops, an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated that it was a "C." When I read that I thought, "All I would need to do is go to a piano or other instrument and play a "C" and then, in the DNA workshops we would be able to repair DNA."
Well, it wasn’t that simple, because I discovered that the regular "C" that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C", as described in the article. Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz, and that the "C" of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale. Moreover, the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in general use today. Later, we will explore that difference between how we create music today vs. how we used to create it, and how that simple change has made all of the difference in the world.

How I found out about the Ancient Solfeggio Frequencies

I found this ancient scale to be part of a 6-tone scale sequence of electro-magnetic frequencies called the Original Solfeggio Scale through the book "The Healing Codes of Biological Apocalypse" by Dr. Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph Puleo, who received them in a wonderful experience that some would suggest was mystical. These frequencies are not something new, but they are something very old.
I shared the information about these frequencies with a musician friend who had a studio in her home. After reviewing the information, she decided that she would like to experiment with these frequencies in the form of meditation music. She was also in touch with Jonathan Goldman (author of the book, "Healing Sounds") and he knew of these frequencies, and was using them in some of his music such as "The Lost Chord" CD. Aryiana requested that he have the tuning forks made for her to research the frequencies. I asked if she could also have a set made for me.

After I received the tuning forks and began talking about them around the country, I noticed that people were resonating with the information about these powerful frequencies. It felt as though something was going on in a much larger picture. We were connecting energetically to this information, and yet I didn’t know what I was going to do with the tuning forks. Then people began to ask if I could use the tuning forks on them. From those experiences, and with information I had gathered, a method and technique began to develop. I called the technique SomaEnergeticsTM, which is designed to utilize the optimum energy of the Solfeggio frequencies using tuning forks. Soma, meaning "body" in the Greek, combines the wholistic idea of the body as an energy field - SomaEnergeticsTM.
When starting these first tunings, the main frequency that I knew the most about was 528 Hz – that biochemists are using for DNA repair. I realized that the right side of the body is controlled by the left-brain, and the left side by the right brain and that these correspond with our inner male and female energies. As I took the fork down each side of the body, I could get in touch with the dominate ancestral DNA that comes thru the Mother’s side or Father’s side of the chromosomes. I would many times get a tremendous imbalance in the sound between the two sides. The purpose of energy work, as many of you know, is to attain balance. For example, if everything is in balance, such as the ph level, the physical body can heal more naturally. It’s the same way in our energy bodies. If we can find that energy balance, that equilibrium, where everything aligns or everything comes into synchronization into the rhythm of the dance of life – then healing becomes the natural state. It’s nothing supernatural, or miraculous. I think a lot of spiritual texts have referred to this idea when they describe, "going home to heaven." Heaven, to me, is the complete synchronization with higher frequencies and vibrations of creation being totally entrained. In other words, being in a state of at-one-ment.
When I would continue to do the technique, the sound would begin to even out between the male and female sides of the body, and the client would indicate they were "feeling" a shift. As that would occur, I was totally amazed, and asked myself, "What is happening here?" Although I’ve been a speaker of spiritual things for over 40 years, I can’t tell you that I’ve been the most intuitive person in the world. All of a sudden I started having certain feelings about what to do with the forks. I found that at some point in working with the client, I stopped "doing" the tuning forks (being the initiator of the technique), and they started "doing me" – seeming to direct the movement of the Forks! After hundreds of tunings and positive testimonies, I have learned to trust the Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate modality.

Energy and Relationship

Everything is relationship. I remember Dr. Fred Wolf, who is a physicist stating on a tape "Everything is consciousness." He further noted, "When you are observing an object, on some level the object is observing you." As I listened to that statement, I thought it was strange. I then realized that because something doesn’t have a human consciousness, as I do, that doesn’t mean it doesn’t have it’s own consciousness. Apparently, observing something changes it on some level – that the observer, and the observed are one.

I treat the Solfeggio tuning forks as a conscious "entity." They are energy, they’re vibration, they’re frequency – the client is vibration, frequency and energy – I am vibration, frequency and energy. All of that coming together begins to produce a synergetic experience that takes place on many levels. The energy bodies that we focus on using the Solfeggio Frequencies are the physical, the etheric, the mental/emotional, and the astral.
Sound, Vibration and Form

For more than 200 years, researchers have been validating the connections of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787, detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate covered with sand, produces patterns and shapes. Today, those patterns and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about the mathematics of music, and likely influenced Chaldni as well).1

In 1815, Mathematician Nathaniel Bowditch followed up on Chaldi’s discoveries. He concluded that the conditions for these designs to arise were because the frequencies, or oscillations per second, were in whole number ratios to each other—such as 1:1, 1:2, 1:3 and so on.2

The study of wave phenomena, the ability of sound to organize and repattern matter, is called Cymatics. According to John Beaulieu, in Music and Sound in the Healing Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand, water, or clay to a continuous sound vibration." The following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."

"Space is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves. The universe is not separate from this cosmic sea of energy." David Bohm

Jenny concluded that were examples of cymatic elements everywhere—"vibrations, oscillations, pulses, wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions"—and they effected everything including biological evolution. The evidence convincingly demonstrated that all natural phenomena were ultimately dependent on, if not entirely determined by the frequencies of vibration. He argued that physical healing could be aided or hindered by tones. Different frequencies influenced genes, cells, and various structures in the body, he claimed.

Vibration of Music of the Spheres: "Every cell pulsates, reflects and interacts with acoustic oscillations of the medium. Even the earth and sun vibrate in unison based on a main rhythm of 160 minutes. Each musical note is therefore united to non-audible notes of higher octaves, and each symphony to other symphonies that we do not hear, and although they make our cells oscillate and possibly resonate. Even DNA has it’s own melody. The musical nature of nuclear matter from atoms to galaxies is now recognized by official science."3 In " Molecules of Emotion," by Candice Pert, Ph.D., she writes, "… basically, receptors function as scanners (sensing molecules, on a cellular level). They cluster in cellular membranes, waiting for the right ligand (much smaller molecules than receptors), to come dancing along (diffusing) through the fluid surrounding each cell, and mount them – binding with them and (tickling ) them to turn them on and get them motivated to vibrate a message into the cell. Binding of the ligand to the receptor is likened to two voices, striking the same note and producing a vibration that rings a doorbell to open the doorway to the cell."

Poet Cathie Guzetta summarized this science best when she wrote:

"The forms of snowflakes and faces of flowers may take on their shape because they are responding to some sound in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some way, music that has taken on visible form."

How Did The Solfeggio Frequencies Get Lost?

I discovered that these powerful frequencies had been given to the church many years ago for a very spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together. The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin (until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all of the limited thought forms, and into deeper levels of the subconscious – accessing insights beyond belief systems.

As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level. She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin to vibrate. Moreover, she observed, "as they begin to vibrate they sort of touch each other, and tickle each other, and they play and mount each other." It’s this whole energetic dance ritual, at the cellular level, that opens the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks – it can be a way to direct energy for transformational purposes.

Vibration and sound can be used, like most things, either with positive intention or negative intention. Used negatively, it’s nothing more than control and manipulation. Most of the world has been built upon control and manipulation by the way we communicate thru language. A lot of different texts, such as the Bible, talk about the importance of just making Sound—whether it’s chants, drumming, or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive intention.

When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the clergyman asked what he could assist Dr. Puleo with:

"Can you decipher Mediaeval Latin?’
‘Absolutely!’
‘And you know the musical scale and everything?’
‘Absolutely!’
‘Well then, could you tell me what ‘UT - queant laxis’ means?’
After a brief pause, the Monsignor quipped, ‘It’s none of your business’
Then he hung up."1

Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by Professor Emeritus Willi Apel who "argued that the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith."1 Moreover, Professor Apel reported that "one-hundred fifty-two chants were apparently missing. The Catholic Church presumably "lost" these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio."1 Trust me, nothing is lost, it’s just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.
According to Professor Willi Apel,1 "The orgin of what is now called Solfeggio...arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence "Ut" was artificially replaced by "Do." Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added "Si" for the seventh note of the scale, in order to complete the series."
Further research states that, "Pope Johannes later became a saint - Saint Iohannes - and then the scale was changed. The seventh note "Si" was added from his name. "Si" later became "Ti." These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church’s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more "Godlike," the changes affected alterations in conceptual thought as well, further distancing humanity from God." In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music for the soul as well or the "secret ear." Thus by changing the notes, high matrices of thought and to a great extent well being, was squelched. Now it is time to recover these missing notes."1

I’d heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from "The Sound of Music." I literally have a "brain cell firing" as it is engraved into my brain, and I see her coming over the mountain in the movie. I didn’t realize this was actually a second, modified scale. The original Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.

Looking at the definitions of each of the original syllables, using hidden entries from Webster’s Dictionary and the Original Greek Apocrypha, I have determined that these original frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA repair, connecting with spiritual family, solving situations & expressing yourself and finally, becoming more intuitive.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi) literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish that were put into "lost" hymns and Gregorian chants?

I think we are living in a tremendously wonderful time, and rather than seeing the glass as "half empty," I see it as "half full." Rather than accepting "CNN’s perspective" of the world view, it’s about finding perspective thru the vision of your own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers, have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it’s all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have already agreed to assist them.

It’s all about assisting other people. It’s not to be their "Healer," but to assist them in knowing who they are and connecting with their true Source. It is about providing an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to share the information, and empower the client. Everyone you work with—whether it’s Reiki, Massage, Tuning Forks or other modalities you are using, you should feel that you’ve empowered that person, so they can extend this information to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about assisting the person in restoring themselves to a state of "Spiritual Wholeness."

1 "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From "Man’s Cosmic Game" by Guiliana Conforto
The 3, 6, and 9

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, & 9. Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

John Keely, an expert in electromagnetic technologies, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

In the book of Genesis it states that there are six days of creation. Yet many talk about the creation week – or seven days, and the Christian Bible views the number seven as the number of completeness. Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that there were only seven planets.

When wrestling with adding a 7th number, I was mystically drawn to an article in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians, and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, "These six numbers constitute a recipe for the universe." He adds that if any one of the numbers were different "even to the tiniest degree, there would be no stars, no complex elements, no life." (From Discovery Magazine). As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho’s great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.

Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the solfeggio, they are even more powerful as these combinations serve as "portals" to other dimensions!

Just Intonation – 12 Tone Equal Temperament

As I observed earlier, another reason these Ancient Solfeggio frequencies became "lost" was because of the change in tuning practices throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known as Just Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries, and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just Intonation Primer, should give an idea of the confinement that music has been relegated to. "Essentially, music has been placed in a box of limitations"— as the result of the rigidity imposed by the Twelve-Tone Equal Temperament tuning standards in use today.

"Although it is difficult to describe the special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity, smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament, which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison."

Just Intonation can be found in many of the great Fathers of Classical Music – Beethoven and Hyden, just to name a few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and space and brings us into our higher chakras.

Native American chanting is many times based on Just Intonation. The chanting seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.

How these different types of tones affect our health

Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness—all of which then tend to manifest into physical symptoms of "dis-ease."
This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.

Again, it should be noted that although there are contemporary notes that approximate the Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528 Hz. The closest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.

1 - Professor Apel’s and Dr. Puleo’s remarks as reported in "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pages 58-61
2- Hidden Entry Meanings from the book, "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pgs. 166-67

What are the Ancient Solfeggio Frequencies?

Transformational Tuning Forks and CD's based on the ancient Solfeggio Frequencies.
Download Printable version of the full booklet: Forgotten In Time: The Ancient Solfeggio Scale (.pdf 233kb)

Other Resources:
John Beaulieu, "Music and Sound in the Healing Arts." Station Hill Press, 1987
Giuliana Conforto, "Man’s Cosmic Game," Edizioni Nowsis, 1998
David B. Doty, "Just Intonation Primer"
Jonathan Goldman, "Healing Sounds: The Power of Harmonics," Element Books, 1992
Leonard Horowitz and Joseph Puleo, "Healing Codes for the Biological Apocalypse," Tetrahedron Publishing Group, 1999
Candice Pert, PhD, "Molecules of Emotion"
Michael Talbot, "The Holographic Universe"
Dr. Rees, "Just Six Numbers"
Article by David Hulse, D.D. - www.somaenergetics.com

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Evolving consciousness with the frequency of love in 528

Congratulations for arriving at LOVE528.com.

Music is the “universal language.” LOVE is the “universal healer,” and Water is the “universal solvent.” Put them all together and you have the best kept secret in history--a truth so freeing to human conscientiousness that it will hasten the Spiritual Renaissance.

Here you will learn what everyone seeks yet few find. Master musicians and vocalists experience it--a Oneness with the Source of creation and creative inspiration--when they perform optimally. But they haven’t yet figured out how to get “the world to sing in perfect harmony.”

Here you will learn how and why this must all be done using your “inner ear” or the “heart of music;” the LOVE and joy connection that you can evolve yourself to master, as with any art or science in which one fully engages.

528 is the supreme musical gift of enlightened intelligence and divine sustenance from your creative Source. Here you will learn more than how and why you need to retune your instruments to 528Hz.

528 is a simple number that is central to the “musical mathematical matrix of creation.” This LOVE vibration harmonically resonates in your heart inaudibly connecting your spiritual essence to the spiraling reality of heaven and earth. Even the parallel universes connect to the center of your heart by this LOVE channel broadcasting matter and energy according to the laws of physics. In fact, 528 is fundamental to these laws. This frequency, more than any other, epitomizes the unified field of musical metaphysics in the matrix of the spiraling fractal universe.

Indeed, 528Hz is at the heart of everything. It is the difference between making love not war. It is the energy driving universal prosperity; the bioenergy of health and longevity. It is the harmonic vibration of self-esteem or self-love that lifts your heart and Divine voice in harmony with heaven. There is nothing missing or broken in this loving perfection. When you are in it, you are in tune with your creative spirit, and everything just flows in perfect rhythm and rhyme.

This LOVE528.com website is published to benefit music makers and planetary well-wishes based on works by Dr. Leonard G. Horowitz, Don Nicoloff, Jonathan Goldman, and many others. Dr. Horowitz is an internationally renowned health science investigator, author, and speaker. Don Nocoloff is the Executive Producer of Tetrahedron Records, a radio talk show host and author, as well as a technical genius who began experimenting with the “LOVE tone”—528Hz frequency—long before Dr. Horowitz made famous his exquisite 528Hz determinations.

To introduce this subject of music played in “the frequency of LOVE” (some say “key” of LIFE), what Dr. Horowitz believes is the “key to the house of David” heralded in the Bible, CLICK HERE. This link takes you to an article authored by Dr. Horowitz that regards opening the portals to spiritual transformation while transitioning into the Age of Peace.

Study Dr. Horowitz’s book, LOVE the Real Da Vinci CODE, and do the exercises provided therein. Watch the LOVE CODE DVD for more insight, facts, and recent revelations in science paralleling ancient prophesy, including recent Bible decodings. Consider Dr. Horowitz’s decryption of Leonardo Da Vinci’s most famous drawing, the “Vitruvian [Wo]Man,” and you will better understand why 528 is love.

For more technical information for musicians about the LOVE Hertz frequency of 528, as well as 417Hz--the frequency of cosmic resonance--click on “The Technology” tab above. Here Don Nicoloff counsels advanced musicologists, and technically curious musicians, by answering questions posed by Austrian musician, and LIVE H2O concert organizer, Dainis Michel.

Finally, before tuning your instruments to 528Hz using the tone generator linked at the top of this website, review Jonathan Goldman’s and Dr. Horowitz’s contributions in the 528 Community Blog also linked above.

Link:

http://web.mac.com/len15/LOVE528/HOME.html

---

Dr. Leonard Horowitz - The Pharmaceutical Industry, Vaccines & Frequency 528

March 5, 2009

http://www.redicecreations.com/radio/2009/03mar/RICR-090305.php

Dr. Leonard Horowitz the author of "Healing Codes for the Biological Apocalypse", "Dna: Pirates Of The Sacred Spiral", "Emerging Viruses: AIDS And Ebola : Nature, Accident or Intentional?", "Death in the Air: Globalism, Terrorism & Toxic Warfare", "Walk on Water" joins us to discuss his research, books and upcoming appearance on the Alternative View II Conference. Topics Discussed: the crimes of the pharmaceutical industry, Vaccination, the wonders and miracle of the human DNA, healing with water and Frequencies, the "love" frequency 528, Center of the light and sound spectrum, genocide, depopulation, cell phone frequencies and Wi-Fi, A440, Akiana, Indigo Children, Mass Control, Merck, Bayer, Music and much more. Join us in our members section as we continue to talk about AIDS, Vaccines, GMO, Healing properties of Water, Alphanumerics, the English Language and much more.

Link to audio:

http://www.redicecreations.com/radio/2009/03mar/RICR-090305-lhorowitz.mp3

---

Listen what he has to say about 440 Hz and 528 Hz.

More from Yahoo:

http://search.yahoo.com/search?ei=UTF-8&fr=yfp&p=528+hz+dna+repair&rs=0&fr2=rs-top

IZAKOVIC
http://www.deepspace4.com

neato!

:D

jolinemaria
13-03-2009, 07:15 AM
i find most of us not having perfect pitch quite funny. it's like not knowing what red is every morning you wake up :)

Thank you for this remark. It reminds me that once there was a time that people couldn't see all the colors that we are familiar with now. It simply wasn't there in their consciousness.
And now I wonder, if some people have perfect pitch then it is the human potential. So, a possibility for every human, no?
Very interesting. Wonder if I could allow this possibility into my consciousness and select the genes that turn this capacity on.

musti
14-03-2009, 06:12 AM
Thank you for this remark. It reminds me that once there was a time that people couldn't see all the colors that we are familiar with now. It simply wasn't there in their consciousness.
And now I wonder, if some people have perfect pitch then it is the human potential. So, a possibility for every human, no?
Very interesting. Wonder if I could allow this possibility into my consciousness and select the genes that turn this capacity on.

it certainly is the human potential. most kids can be taught to hear pitches as pitches. after around 10-12 it becomes almost impossible to attain it though. perfect pitch is also genetic. in addition, people who speak a tone language as their mother language tend to have much higher percentages of perfect pitch...

anyway, in short most humans have the potential to have it if they are aware of it as a child, then it fades away. i still think that it is possible to gain it if we could govern our genes.

secondsun
14-03-2009, 06:33 AM
So where can I find music done at 528HZ.

http://www.healingsounds.com/ProdImages/Holy-Harmony-L.jpg

Holy Harmony: Jonathan Goldman: Amazon.co.uk: Music@@AMEPARAM@@http://ecx.images-amazon.com/images/I/51TRrL10KLL.@@AMEPARAM@@51TRrL10KLL

jolinemaria
14-03-2009, 08:11 AM
it certainly is the human potential. most kids can be taught to hear pitches as pitches. after around 10-12 it becomes almost impossible to attain it though. perfect pitch is also genetic. in addition, people who speak a tone language as their mother language tend to have much higher percentages of perfect pitch...

anyway, in short most humans have the potential to have it if they are aware of it as a child, then it fades away. i still think that it is possible to gain it if we could govern our genes.

Well. if ever I manage to obtain it, I let you know ;)

musti
14-03-2009, 10:49 PM
Well. if ever I manage to obtain it, I let you know ;)

good luck :)

cuo_mx
16-03-2009, 07:44 PM
Hey guys,

I did some thinking and basic calculations after hearing Dr. Horowitz on Red-Ice-Creations Radio. I love listening to his stuff and find it intriguing, but everytime he talked about music for example on some earlier interviews on Radio Orbit, I felt something was wrong.

And I think I figured out a little piece of why this might be.

I see some fundamental flaws in how they came to the conclusion that 440 Hz is "bad."

I'm going to try not to get too technical here, but bare with me.

First of all, the scale system most of the western world has come to use is flawed in a way. It doesn't produce pure harmonic intervals.


This scale system is called "Equally Tempered" and was implemented to compensate for the fact that if you tuned your keyboard like instrument for a given musical key, another key would be out of tune.
(eg. if you had tuned your instrument to posses close to perfect harmonic ratios in the key of C major, those ratios would be skewed in D major for example. And you would have to tune your whole harpsichord/piano again for the key of D major.)

This tuning system that was utilized before the advent of the Equally Tempered tuning is now called Just Tuning

(read more about this here for example: http://www.phy.mtu.edu/~suits/scales.html )

The Equal Tempered tuning system is imperfect since it has to compensate for key changes, and therefore pull each musical half step up or down a bit resulting in ratios that are not "natural."


This got me thinking that maybe Dr. Horowitz and Co. got to the conclusion of 440 = bad, 444 = good by just plugging 528 Hz as a C-note into an equation that calculates other frequencies for a chromatic scale by using the imperfect Equal Tempered Scale.

So, I did a quick calculation on what an A-note would be in a justly tuned system if I wanted to preserve 528 Hz (C-note)

To my surprise A came to exactly 440 Hz. Not 440.1, not 439, but 440. In other words, the interval between 440 and 528 is more harmonic than the interval between 444 and 528.

Here's how:

The ratio of a "perfect" minor third (the relationship between A and C) is 6/5 or 1.2 as a decimal.

Therefore, if we know the frequency we are using for either A or C we can calculate the other:

for a just tuned minor third: base frequency X 1.2 = frequency of just tuned minor third.

So, let's plug in the numbers: We know that 528 Hz is a C-note. If we want to use that frequency in the key of A minor, we know it is a minor third apart from A, so plug those in:

Frequency of A x 1.2 = C 528 Hz
Frequency of A = 528 Hz / 1.2
Frequency of A = 440 Hz

What Dr. Horowitz did (as far as I can tell) was to apply 528 Hz to the Equal Tempered (harmonically IMPERFECT) tuning system. In that system, if you want to preserve 528 Hz you will get A = 444 Hz as they have correctly demonstrated.

The problem I see whit that is if you want to use all this for healing or therapy purposes, I don't think the Equal Tempered tuning should be used because it's imperfect.

If you really want to preserve 528 Hz with harmonic relationships you can't just retune the already flawed scale to 444 Hz just to preserve 528. You have to walk the rest of the mile and apply the "sacred" frequency to an equally "sacred" tuning system.

Bottom line: 440 - by itself, not bad.

---------------------------------
Edit:

Here's another way to look at it:

a justly tuned minor third of A 440 Hz is exactly 528 Hz

not 527.9 or 528.1 etc., but exactly 528 cycles per second.

A justly tuned minor third of A 444 Hz would be 532.8 Hz,

( 444 Hz x 1.2 = 532.8 Hz )

This is not rocket science. Although some degree of knowledge on music theory and acoustics is probably required, this can be verified fairly easily.

cuo_mx
16-03-2009, 10:40 PM
I just heard another interesting thing on an old interview on c2c that might or might not be of any relation to the above...

anyway, they talk about hemisync or something like that and having a frequency played in your left ear and a slightly different one in your right year, with the difference being 4 Hz.... Just like the difference between 444Hz and 440Hz...... there's probably nothing to it... but it was a strange synchronicity that I just surfed for some interviews on youtube and within the first minute the guest mentions the difference of 4 Hz. :)

musti
17-03-2009, 05:39 AM
cuo_mx,

excellent observation! very interesting indeed...

you raise a very interesting point: we don't have any note corresponding to 528 because ET doesn't use the 6:5 ratio. so we can never have both 440 and 528 using ET. in other words, whoever is objecting to 440 but praising 528 is doing this in an ET system and thus objecting to pure intervals... if anyone says 440 is bad, ET is bad, but 528 is good then he is contradicting himself because 440 is good for 528 in just intonation!

musti
17-03-2009, 05:42 AM
I just heard another interesting thing on an old interview on c2c that might or might not be of any relation to the above...

anyway, they talk about hemisync or something like that and having a frequency played in your left ear and a slightly different one in your right year, with the difference being 4 Hz.... Just like the difference between 444Hz and 440Hz...... there's probably nothing to it... but it was a strange synchronicity that I just surfed for some interviews on youtube and within the first minute the guest mentions the difference of 4 Hz. :)

yes, this is called binaural beats. it's an interesting phenomenon.

Binaural beats - Wikipedia, the free encyclopedia

disorder2k8
19-03-2009, 05:32 PM
http://i197.photobucket.com/albums/aa63/Disorder2k7/PIANO1321.jpg

energi
19-12-2009, 11:29 PM
<chart>

Where is this from?

sativa
20-12-2009, 03:44 AM
Trust me, nothing is lost, it’s just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.

YES! :D:):cool:
wicked article, thanx for sharing ;)

plainsight
20-12-2009, 04:06 AM
Check out the Marko Rodin thread in "nature of reality" section of this forum. It's amazing how things come together. Tesla was right. 3-6-9 IS the key to the universe.

father ted
20-12-2009, 06:03 AM
I remember reading somewhere recently that the digital 'revolution' will push all music and so on to crazy high frequencies that just don't sit right with humans...

Its why I love analog ,

TB303 baby....

I'm having this problem with watching my analog tv like when I play my ps3... I can't hear shit! The pitch is too high. Same with mainstreeme music. Not just electronic music, the equipment that bands use is just too awefull.

father ted
20-12-2009, 06:06 AM
yes, this is called binaural beats. it's an interesting phenomenon.

http://en.wikipedia.org/wiki/Binaural_beats

Isn't this like tri-tone programming?!!?

pegcityevolve
20-12-2009, 07:38 AM
Check out the Marko Rodin thread in "nature of reality" section of this forum. It's amazing how things come together. Tesla was right. 3-6-9 IS the key to the universe.Is that why we need Omega 3, 6, and 9? :D

sagebrush
29-08-2010, 03:47 AM
Len Horowitz joined the knights of malta, I can't find anyone else promoting this idea of 528 hertz except from people that say it is the baphomet frequency.


http://www.abovetopsecret.com/forum/thread451978/pg1

Everyone else is just parroting him without question. Knights of Malta? Len just lost my confidence!http://www.davidicke.com/forum/images/smilies/frown.gif

21_12_2012
29-08-2010, 04:09 AM
http://www.davidicke.com/forum/showthread.php?t=131811

torus
29-08-2010, 04:12 AM
I'm not certain about this, but bumping a concert "A" up 88 cycles per second may be prohibitive on some instruments. That would be a significant increase in tension on some of the delicate stringed instruments like violin. The problem would be even worse on 3/4, 1/2, and 1/8 size violins potentially requiring modifications to the instruments to render them more stable due to the increase in tension.

torus
29-08-2010, 04:24 AM
it's not going to work.

on the piano

440 Hz = A4

528 Hz = C5 (offset by 15.64 cents)

that's a jump of a minor 3rd. for you guitarists out there, that means in increase in tension equal to tuning your 1st string up to G, and that's a significant jump.

torus
29-08-2010, 04:30 AM
Is this part of the 11 and 9/11 conundrum?

If we take frequency 1 of 440 hz and frequency 2 of 528 hz, the interval is
315.64128700 cents.

The frequency ratio of 315.641 cents is 1.19

http://www.sengpielaudio.com/calculator-centsratio.htm

killuminatiist
29-08-2010, 04:31 AM
Just started getting into all this and actually listening, does it actually work? I cant really say yet because ive only been doing it for a few days, do you do it once? everyday? year? before sleep?

Is there anywere you can download these frequencies? I was going to do it off youtube but I dont no if the quality will be right? Sorry for asking noobish questions but I thought this is the best place to ask.

torus
29-08-2010, 04:48 AM
I don't know what transposition capabilities exist on modern synths. Technically, you should be able to transpose the entire board up 88 cps and voila, concert "A" is now "C".

This endeavor will require a complete revamping of the entire analog industry though, from string manufacturers, instrument makers, to print music.

21_12_2012
29-08-2010, 04:51 AM
http://www.davidicke.com/forum/showthread.php?t=131811

This thread is titled:-

Harmonic Healing - 729Hz not 528Hz

I listened to it for a few minutes and found it very pleasant... maybe this is the right pitch instead of 528hz (which apparently hinders/blocks)

Check the thread out.

torus
29-08-2010, 04:56 AM
my responses are based on the threads title, "528 hz heals, why we all are under 440 hz?", implying that 528Hz would be the new "standard" or concert "A".

mattzadak
29-08-2010, 05:39 AM
frequencies are important

sound waves are also particles (matter)

you must understand the em spectrum and the concepts of octaves (musical term) and overtones (static or noise also musical term)

electricity magnetism etc

generally a specific frequency corresponds to a geometrical shape - a real physical shape

combinations of frequencies are represented in sacred geometry

they can affect other things (frequecnies and sytems thereof)

people for example look the same but their tuning (frequency pattern/combination/makeup) are different in most instances

wave interference is a key point

people are sending downloading manipulating frequencies all the time


our genetic programming combines these frequencies/particles to make our shape and continue running our software

you pick up frequencies and their properties from everything

speech music thoughts air space planets animals 'things that people dont consider organic but i do (like rocks)


your thoughts are real living things because they are just as alive as we are

each thought sends or attracts etc particles

these make physical changes in organisms etc



we all have different thoughts interests hobbies jobs like different clothes


its all a matter of opinion as to what frequencies should be utilized

crimes create certain frequency sets so most people dont want these 'sounds'

everything goes through trends

fads

remember when men all wore hats and suits

or when disco was cool

architectural styles

haircuts

wallpaper

you know what im getting at


we all shape reality in our own way that we seem fit


so thats why some groups of people are pulling for certain 'frequencies' or tunings

think of it like this a lot of people like cow milk some people like goat milk



furthermore some people are aware of these facts as i have stated and can manipulate them


its really a matter of preference for your environment physical and spiritual

this is why rituals are performed

and trends started to clear programs and create new ones



another interesting thing is astrology our tuning from birth

i wonder what its like for astrology for people in different solar systems

now that i think of it we all were born in the same multiverse and in relation to the whole



this is why different generations of people look different just frequencies:)

torus
29-08-2010, 05:46 AM
"People will do anything, no matter how absurd, to stop from facing their souls." -Jung

there's only one word that I would change in that quote. the last one....

mattzadak
29-08-2010, 07:09 AM
Great post Jesuitsdidit! :)

I get a bit confused with this though, I thought that it was the 'c' note that resonated with 440hz and that it should be changed to 432hz

http://www.davidicke.com/forum/showthread.php?t=26839&highlight=432hz

I spent hours trying to convert my sons music to 432 for his MP3 player and it came out as 320 for some strange reason......

Music certainly sounds loads better with 432, but its not part of the solfeggio scale, the nearest to it is 417hz.

Anyway...432 adds up to 9 so sounds like it fits in.

Can anyone clear this up?


a note name is just an arbitrary label for the feeling or sound of the particle(s)that is created or amplified

you could refer to 440hz

by any name: as x or ? or ted

because technically its still makes the same wave/particle pattern


440 hz always sounds like 440 hz as does 320 sounds like 320

its like colors blue is always blue because it is blue

they are part of the em spectrum like sound

[they have no sound (unless you are enlightened and or have synesthesia)]

and thus are percieved differently

Visible spectrum - Wikipedia, the free encyclopedia

Color Frequency Wavelength
violet 668–789 THz 380–450 nm
blue 631–668 THz 450–475 nm
cyan 606–630 THz 476–495 nm
green 526–606 THz 495–570 nm
yellow 508–526 THz 570–590 nm
orange 484–508 THz 590–620 nm
red 400–484 THz 620–750 nm


colors are just a higher magnitude of the em spectrum

just different freq bands

for example blue is always blue because its frequencies are between 631 tera hertz and 668 terahertz

or thats 631 trillion cycles per second to 668 trillion cycles per second

the size of the waves are very small - nanometers (the width of a hair is about 100,000 nanometers)

the width of a hair is about 200 times the size of a wavelength of 'blue' packets of particles

this is a law of physics

its why things are what they are


--

as for the mp3s

320 is probably the sampling rate

use your computer to play the same song at the same time with two different media players that you pitch shifted

if it worked you should be able to tell the difference

if you changed it to 440 from 320 it would have a BIG difference in the sound the sound of two whole notes you would definately notice

if you dont really notice a difference maybe just a little then it worked because the pitch shifting isnt even a full note

subtle = it worked

big change means it did shift from 440 to 320


---

432 hertz is just 8 hertz difference from 440 hz

http://home.broadpark.no/~rbrekne/referhtml/cents-hz.html

the eight hz difference is only about 30 cents below the 440 a


in between notes like b to c there are 'cents' or frequency degrees

a chromatic tone has 100 cents so it starts to become the other note at over 50 cents difference

so think of a note as 100% when you shift the tuning or cents it becomes 99% the same tone and so on

http://en.wikipedia.org/wiki/Cent_(music)

open this link their is a sound player that lets you hear a note shifted 10 cents

remember 440 to 432 just about 30 cents difference or 30% of the way to the next chromatic tone

that will give you an idea


put a post if it works

wherezwally
29-08-2010, 07:20 AM
i don't know what it looks like but 528hz is quite close to C5 (523). it is quite close because the next pitch in the frequency continuum is C#5 with a freq of 554.

btw, talking about what sounds look like, the closest we get to know what sounds look like is what people with synesthesia tell us and is very subjective.

http://en.wikipedia.org/wiki/Synesthesia

some time ago i mapped the sound specturm on the color spectrum and was surprised to find that one octave correlates to our entire visual spectrum, which means that each note would get only one color!

correct..They are extremely linked 2 one another

mattzadak
29-08-2010, 07:22 AM
The 440Hz vs. 432Hz regards the note "A"

THe former is DIN#16 and the latter (sympathetic resonance) was known as "Verdi's A"

440Hz is a man-made construct and pitch change, which if you're familiar with Prof Dr Hans Jenny's field of cymatics just shows a continual interference pattern with no sympathetic vibrations whatsoever... just overlapping interference.. like throwing a handfull of stones in to a pond.

432Hz is, when viewed cymatically, a perfect circle with one single dot in the middle.. the equivalent of throwing ONE stone in to a pond.

You, are 73% water, if you are bombarded with sound, then this will either vibrate sympathetically (on the basis of 432Hz and the solfeggio scales) or you will experience interference (what TPTB achieved by shifting "A" by 8Hz.


For futher reading i can really recommend Jenny's works on cymatics, and Walter Russel's book "the universal one" published in the 1920's.


THEY know how to effect mood swings, confusion, melancholy and whatever they wish purely through the audible (and inaudbile sound spectrum) hence the advance of digital television,mobile phones and their "sound of silence" technology.

nice post

mattzadak
29-08-2010, 08:16 AM
nice post

actually great post the word cymatics was a missing link in my knowledge

fit very nicely into my brain:rolleyes:

rodin
29-08-2010, 08:28 AM
frequencies are important

sound waves are also particles (matter)

you must understand the em spectrum and the concepts of octaves (musical term) and overtones (static or noise also musical term)

electricity magnetism etc

generally a specific frequency corresponds to a geometrical shape - a real physical shape

combinations of frequencies are represented in sacred geometry

they can affect other things (frequecnies and sytems thereof)

people for example look the same but their tuning (frequency pattern/combination/makeup) are different in most instances

wave interference is a key point

people are sending downloading manipulating frequencies all the time


our genetic programming combines these frequencies/particles to make our shape and continue running our software

you pick up frequencies and their properties from everything

speech music thoughts air space planets animals 'things that people dont consider organic but i do (like rocks)


your thoughts are real living things because they are just as alive as we are

each thought sends or attracts etc particles

these make physical changes in organisms etc



we all have different thoughts interests hobbies jobs like different clothes


its all a matter of opinion as to what frequencies should be utilized

crimes create certain frequency sets so most people dont want these 'sounds'

everything goes through trends

fads

remember when men all wore hats and suits

or when disco was cool

architectural styles

haircuts

wallpaper

you know what im getting at


we all shape reality in our own way that we seem fit


so thats why some groups of people are pulling for certain 'frequencies' or tunings

think of it like this a lot of people like cow milk some people like goat milk



furthermore some people are aware of these facts as i have stated and can manipulate them


its really a matter of preference for your environment physical and spiritual

this is why rituals are performed

and trends started to clear programs and create new ones



another interesting thing is astrology our tuning from birth

i wonder what its like for astrology for people in different solar systems

now that i think of it we all were born in the same multiverse and in relation to the whole



this is why different generations of people look different just frequencies:)

eh?

I can't make sense of this

Shapes (standing waves) must be sculpted using a range of frequencies. Single frequencies are just sine waves.

I am not sure matter and energy are totally convertible at all. E = mc squared says mass is on one side of the equation energy on the other therefore mass is in equilibrium with energy multiplied b y a large number. That's enough 'evidence' or 'logic' to fool most of the the goyim I guess.

But what about the normal equation for kinetic energy?

E = 1/2 mv squared. As applied to a moving car say. Does that imply mass can be converted to energy? In this case the multiplication factor would be v - and you'd get a hell of a lot smaller number squared using the speed of the car instead of that of light.

ambler1980
29-08-2010, 08:45 AM
i've been going crazy having just discovered this...currently converting all my music to 432 hz with audacity...i can FEEL the difference, so muhc more in harmony with my body, relaxing and soothing, i can't even listen to it any other way any more my body feels tense! i can't believe i've been bombarded with that 440 hz stuff my entire life! no wonder society is so fucking tense!

bagatell
29-08-2010, 09:01 AM
And you just lost my confidence! There is obviously a concerted effort going on here to slander Leonard Horowitz and, by extension, the use of 528 hertz frequency. Dr. Horowitz denies being a member of the Knights of Malta, but thanks for stopping by and parroting this baseless allegation as though it were a proven fact.

from Horowitz own site:

"New York, NY—The title "Knight of Merit" was bestowed upon Dr. Leonard G. Horowitz today by Grand Prior Prince Michael of Russia in the company of a full regalia from the New York Priory of the Sovereign Orthodox Knights Hospitaller of St. John of Jerusalem."

http://www.drlenhorowitz.com/Press/press_releases/personal/knighting_2006.html

mattzadak
29-08-2010, 09:09 AM
most humans including musicians cannot tell the difference between A and D let alone A and a frequency close to A without a reference point.

i have perfect pitch its not very common in western society

it is a learned skill

you underestimate the human spirit

you can learn to name exact frequencies like hey thats a 440 hz + 10 cents

if you used your brain even more you could pin down the precise number of hertz

sound is part of the em spectrum, just like light

actually it is supressed here just like enlightenment

in western society

it was part of our programming

mattzadak
29-08-2010, 09:12 AM
i don't know what it looks like but 528hz is quite close to C5 (523). it is quite close because the next pitch in the frequency continuum is C#5 with a freq of 554.

btw, talking about what sounds look like, the closest we get to know what sounds look like is what people with synesthesia tell us and is very subjective.

http://en.wikipedia.org/wiki/Synesthesia

some time ago i mapped the sound specturm on the color spectrum and was surprised to find that one octave correlates to our entire visual spectrum, which means that each note would get only one color!

ha ha deal with this

what about absolute and relative synesthesia?

lol

mattzadak
29-08-2010, 09:19 AM
some time ago i mapped the sound specturm on the color spectrum and was surprised to find that one octave correlates to our entire visual spectrum, which means that each note would get only one color!

actually that proves cymatics

see my other posts

dont you know about wave particle duality

sound has waves that have packets of particles

if the particles werent consistent in shape

according to conventional laws of physics

blue would not always be blue

parallel universe stuff

blue is blue because it has consistant corresponding particles at frequencies + harmonics overtones wave interference undertones

mattzadak
29-08-2010, 09:21 AM
of course this doesn't mean 432 have the same effect on you as 440. it just means it doesn't have any conscious (and i guess observable) effect on you.

i find most of us not having perfect pitch quite funny. it's like not knowing what red is every morning you wake up :)

:rolleyes:

mattzadak
29-08-2010, 09:22 AM
of course this doesn't mean 432 have the same effect on you as 440. it just means it doesn't have any conscious (and i guess observable) effect on you.

i find most of us not having perfect pitch quite funny. it's like not knowing what red is every morning you wake up :)

thats like saying its funny someone is colorblind

mattzadak
29-08-2010, 09:34 AM
At one of our last gigs we intentionally tuned down to 432HZ (we all play stringed instruments bar the drummer;) ).

The effect was noticeable
1. The songs were much more laid back and generally more uplifting and easier on the ears.
2. We were energized as was the audience (we played from 7pm till about 3am when they stopped dancing)
3. The bloody guitars were'nt used to it and thus went out of tune more often.

I'm sure the majority hasn't got a clue what pitch is, let alone perfect.. which, in itself is a misnomer as 440Hz is in no way perfect.
I do think however, that most will be able to *feel* the difference.

rhythm is tonal

tempo = bpm

hertz = cycles per second

60 bpm with quarter notes equals 1 cycle per second or a 1hz 'tone' which corresponds to a tone whether you agree or not its a fact

hah do the math

60 then its all subdivision in terms of tempo

5 beats in place of one quarter note at 60 bpm makes omg lol - a 5 hz tone

13 beats in place of one quarter note at 60 bpm makes 13 hz tone

you get the picture - i hope

this is sacred stuff

tempo is an 'instrument' so is rhythm

mattzadak
29-08-2010, 09:44 AM
Thank you for this remark. It reminds me that once there was a time that people couldn't see all the colors that we are familiar with now. It simply wasn't there in their consciousness.
And now I wonder, if some people have perfect pitch then it is the human potential. So, a possibility for every human, no?
Very interesting. Wonder if I could allow this possibility into my consciousness and select the genes that turn this capacity on.

if when you listen to music you have fun you can learn it

if you sense anything in music emotion happy sad whatever

if you dont like a song for some reason

sound is just another part of the em spectrum like color

have you ever been in a conversation and someone says

'really' happy then they say 'really' scornfully or 'really' sad

just picture that in your head and hear it

2 sylables with the same two tones

thats perfect pitch

the apprentice
29-08-2010, 11:56 AM
440 Htz = A, doesn't it, so what does 528 = then

torus
29-08-2010, 02:57 PM
440 Htz = A, doesn't it, so what does 528 = then

"C"

ambler1980
29-08-2010, 07:42 PM
pretty amazing, music that used to put me on edge is now soothing.

for instance i love the soundtrack for Poltergeist by the late Jerry Goldsmith. But it's so loud, aggressive and bombastic at times that it can be scary listening to it alone at night. Not anymore. After transferring the score to 432hz I was actually calm during the scarier musical moments and felt so in tune with the music, I almost cried during the tender moments. That never happens.

I even woke up this morning with a good feeling after listening to 432hz all night, which is rare...I usually wake up feeling like shit. This morning I woke up and actually felt giddy. There really is something to this frequency and the human body. I feel calmer, almost high when listening to it. The good parts of the music are now spectacular and make me feel more alive. I even closed my eyes and could see a vibrating spiral.

All my music from now on will be 432hz. I'm so glad I ran into this thread. Thank you OP!

troii
29-08-2010, 09:41 PM
Does any one have some Cody Simpson at 528mhz?

ambler1980
29-08-2010, 11:37 PM
does anyone know if movies are also encoded with 440hz sound?

if so, is there a program to convert them?

psystorm
29-08-2010, 11:53 PM
A little more info the Ancient Solfeggio Frequencies

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.jpg

What Are The Ancient Solfeggio Frequencies?

These original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered by Dr. Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz. I give honor to both of these gentleman for the part they’ve played in helping return these lost frequencies back to humanity.

The Six Solfeggio Frequencies include:

UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio2.jpg

For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle." Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA – the genetic blueprint upon which life is based!

Piano tuning - Wikipedia, the free encyclopedia

This has the chart for the Equal temperament beatings (all figures in Hz)

torus
30-08-2010, 12:05 AM
Is this aversion to 440 based on the number 11?

on the piano, A1 = 55 Hz. Since each octave is a doubling of frequency;

A2 = 110 Hz., A3 = 220 Hz., A4 = 440 Hz., etc

torus
30-08-2010, 12:14 AM
A little more info the Ancient Solfeggio Frequencies

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.jpg

What Are The Ancient Solfeggio Frequencies?

These original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered by Dr. Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz. I give honor to both of these gentleman for the part they’ve played in helping return these lost frequencies back to humanity.

The Six Solfeggio Frequencies include:

UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio2.jpg

For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase "MI-ra gestorum" in Latin meaning "miracle." Stunningly, this is the exact frequency used by genetic biochemists to repair broken DNA – the genetic blueprint upon which life is based!

http://en.wikipedia.org/wiki/Piano_tuning

This has the chart for the Equal temperament beatings (all figures in Hz)

Using A440 as reference:

396 Hz = G4 (offset by 17.59 cents)

417 Hz = G#4 (offset by 7.05 cents)

528 Hz = C5 (offset by 15.64 cents)

639 Hz = D#5 (offset by 45.97 cents)

741 Hz = F#5 (offset by 2.36 cents)

852 Hz = G#5 (offset by 44.02 cents)

fidokrab
30-08-2010, 12:19 AM
Here's a good site that shows the different frequencies:

http://soundsofyouth.com/

torus
30-08-2010, 12:24 AM
Since a semitone, C - C# = 100 cents and the aforementioned offsets are well below 100 cents. Could somebody please explain why the resetting of these rather subtle offsets would be so conducive to:

Liberating guilt and fear
Undoing situations and facilitating change
Transformation and miracles (grin)

etc.

The largest offset is 45.97 cents. not quite a 1/4 tone, which would be 50 cents.

I really need to know why this offset is so crucial to healing, transformation, etc.

?

torus
30-08-2010, 12:36 AM
Musicians? facilitate, heal, and transform thyself...

YouTube - Broadcast Yourself.

torus
30-08-2010, 12:43 AM
More beauty...

Clair de Lune

Clair de Lune - YouTube

torus
30-08-2010, 12:50 AM
Until Horowitz composes a piece as subtle as the 2nd movement of the Emperor Concerto or Clair de Lune, let alone a full symphony, and demonstrates the benefit of using 528 as a base, complete with peer review, placebo testing etc. I'm inclined to believe that he has more interest in selling you his latest book and at the same time inducing a subtle paranoia that your choice of music is disempowering you.

torus
30-08-2010, 12:55 AM
I GET IT!!!!! Beethoven and one of his most famous pieces, affectionately known as The "Moonlight" Sonata and Debussy's famous Clair de Lune...uh-huh!!!

ahhh, MOON MATRIX ANYONE!?!?!?!?!?:eek:

PUT THE KIDS TO BED!!!!!:eek:

BURN YOUR CD'S:eek: Those Europeans, who were most likely "initiates", have been responsible for all the disharmony that befell the world!!!:eek:

torus
30-08-2010, 01:07 AM
YouTube - Broadcast Yourself.

troii
30-08-2010, 04:02 AM
So I went to www.i528tunes.com and I heard music supposebly at 528mhz. I could tell no difference between 528mhz and 440mhz. This website also charges an arm and a leg for music, the claim you must donate to receive any music and agents of an artist may sign up to recieve 60% royalties from donations. The donations are for keeping the site running and converting the music to the frequency. They have a required suggested donation which you can not change unless the amount is higher. I can understand it may have a cost to do this process but they charge more then what the corporation music labels do. Fairly certain they could just have their program avaliable for download for free, there are plenty of options where they would not have to be the bandwidth for the downloads. They let you sample 10 seconds of all songs and you can listen to spirit in the sky in 528mhz fo phree.

torus
30-08-2010, 04:09 AM
welcome to the roundabout! This YES piece is slightly above A440. Whether this pertains to the band tuning this way or the mastering process, I don't know. But it's still a great song!

Yes - Roundabout - YouTube

troii
30-08-2010, 04:15 AM
http://www.youtube.com/watch?v=FpV6eRNlQak

This video says to goto www.i528tunes.com or www.528records.com , they are the same site, I went there and refer to my last post for my point.

torus
30-08-2010, 04:19 AM
We have to get Masuro Emoto in on the action! You know, micrographs of frozen water that have been exposed to Mozart, Beethoven, Bach etc. and the symmetry of the frozen crystals. We need performances in 440 and 528 to see if the symmetry is further enhanced. Apparently, if you write things like "LOVE" on a glass of water it too produces harmonious shapes whereas the word "Hitler" produces assymetry. I wonder if you wrote Hitler in an elegant Florentine script if this would change things or if the water would call my bluff!?:eek:

torus
30-08-2010, 04:23 AM
This video says to goto www.i528tunes.com or www.528records.com , they are the same site, I went there and refer to my last post for my point.

yes, I know. I wasn't endorsing i538 tunes. You see, I found alot of the music in Inception to be as ingratiating as the scenes in the snow and the bang-bang-bang-bang-bang-bang-bang!!!!!!!! The maker of the video makes some not so subtle hints of mindfuck which I found interesting

troii
30-08-2010, 04:24 AM
We have to get Masuro Emoto in on the action! You know, micrographs of frozen water that have been exposed to Mozart, Beethoven, Bach etc. and the symmetry of the frozen crystals. We need performances in 440 and 528 to see if the symmetry is further enhanced. Apparently, if you write things like "LOVE" on a glass of water it too produces harmonious shapes whereas the word "Hitler" produces assymetry. I wonder if you wrote Hitler in an elegant Florentine script if this would change things or if the water would call my bluff!?:eek:

So I'm listening to music (spirit in the sky, on www.528records.com)that is in 528mhz frequency and I feel no different, it also sounds exactly what I can find on youtube of the same song.

troii
30-08-2010, 04:25 AM
yes, I know. I wasn't endorsing i538 tunes. You see, I found alot of the music in Inception to be as ingratiating as the scenes in the snow and the bang-bang-bang-bang-bang-bang-bang!!!!!!!! The maker of the video makes some not so subtle hints of mindfuck which I found interesting

I don't care if you're endorsing it, I am only saying I do not see an effect from the different frequency. I am aware that the site is not necessarily that frequency same with what I am using to hear it. What do you mean by mind fuck and I never seen that movie.

torus
30-08-2010, 04:32 AM
So I'm listening to music (spirit in the sky, on www.528records.com)that is in 528mhz frequency and I feel no different, it also sounds exactly what I can find on youtube of the same song.

WHAT? megahertz now!?! What the hell is this!?!? Clear as mud to me now.
again, standard concert "A" = 440 hz. if 528 Hz is the "new" A, or reference frequency, you should be able to detect transposition. What, do they propose to digitally modulate everything into "C" and thereby further degrade things? everything in your ipod etc has had upper and lower partials shaved, robbing it of its elegant, analog warmth

torus
30-08-2010, 04:43 AM
I don't care if you're endorsing it, I am only saying I do not see an effect from the different frequency. I am aware that the site is not necessarily that frequency same with what I am using to hear it. What do you mean by mind fuck and I never seen that movie.

well, that video may generate a buzz for the Inception film, but it does a lousy job of selling the notion of 528 as something positive.

"subconscious security......"

"you want to see it on a grand scale..."

troii
30-08-2010, 04:44 AM
WHAT? megahertz now!?! What the hell is this!?!? Clear as mud to me now.
again, standard concert "A" = 440 hz. if 528 Hz is the "new" A, or reference frequency, you should be able to detect transposition. What, do they propose to digitally modulate everything into "C" and thereby further degrade things? everything in your ipod etc has had upper and lower partials shaved, robbing it of its elegant, analog warmth

I made an error I believe, I just re-read part of the site and it says hz. You may as well just go to the site yourself since I can not read and type perfectly all the time or any time at all for any reason or no reason at all. They say they transpose mp3 or itunes audio files to LOVE528 which is supposedly 528hz or what have you. If everything in your ipod has stuff shaved off does that mean if you heard a real live performance not some they dance on stage and lip sync of sorts to a recording it would be in 528hz or only if they tuned to 528hz. Also why can you not digitally change something from 440hz to 528hz? Also if you can, please locate some Cody Simpson at 528hz.

torus
30-08-2010, 04:50 AM
I made an error I believe, I just re-read part of the site and it says hz. You may as well just go to the site yourself since I can not read and type perfectly all the time or any time at all for any reason or no reason at all. They say they transpose mp3 or itunes audio files to LOVE528 which is supposedly 528hz or what have you. If everything in your ipod has stuff shaved off does that mean if you heard a real live performance not some they dance on stage and lip sync of sorts to a recording it would be in 528hz or only if they tuned to 528hz. Also why can you not digitally change something from 440hz to 528hz? Also if you can, please locate some Cody Simpson at 528hz.

don't worry about typos! oh man, this is a freakin' scam. ok, so they have either modulated everything into the key of C, or they have modulated everything up a minor third, i.e. A to C, F# to A, etc which is more likely, and WACKY! If I understand this...than this is just a lameass scam to me

528 baby, it's the frequency of LUUUUUUUV....

the shaving of upper and lower partials may indeed be inaudible but you're still destroying the integrity of the wave.

Dude111
30-08-2010, 10:02 AM
Interesting!

troii
30-08-2010, 07:32 PM
don't worry about typos! oh man, this is a freakin' scam. ok, so they have either modulated everything into the key of C, or they have modulated everything up a minor third, i.e. A to C, F# to A, etc which is more likely, and WACKY! If I understand this...than this is just a lameass scam to me

528 baby, it's the frequency of LUUUUUUUV....

the shaving of upper and lower partials may indeed be inaudible but you're still destroying the integrity of the wave.

They also have artists who tune and record in 528hz or w/e but ya it does look like BS. Would there be a noticeable difference between 440hz and 528hz such as hot and cold for example.

torus
31-08-2010, 03:27 AM
They also have artists who tune and record in 528hz or w/e but ya it does look like BS. Would there be a noticeable difference between 440hz and 528hz such as hot and cold for example.

even to the "untrained" ear there is a pronounced distinction. If I played you A440 for you and then C528, musician or not, you would notice a difference. and in under a minute of listening to the respective tones you would be able to name them accordingly, assuming that you're not tone deaf.
A musician with perfect pitch would be able to name the tones as "A" and "C" upon first listening.

troii
31-08-2010, 04:44 AM
even to the "untrained" ear there is a pronounced distinction. If I played you A440 for you and then C528, musician or not, you would notice a difference. and in under a minute of listening to the respective tones you would be able to name them accordingly, assuming that you're not tone deaf.
A musician with perfect pitch would be able to name the tones as "A" and "C" upon first listening.

The deaf and tone deaf, are they effected by these negative frequencies?

mattzadak
31-08-2010, 08:05 PM
eh?

I can't make sense of this

Shapes (standing waves) must be sculpted using a range of frequencies. Single frequencies are just sine waves.

I am not sure matter and energy are totally convertible at all. E = mc squared says mass is on one side of the equation energy on the other therefore mass is in equilibrium with energy multiplied b y a large number. That's enough 'evidence' or 'logic' to fool most of the the goyim I guess.

But what about the normal equation for kinetic energy?

E = 1/2 mv squared. As applied to a moving car say. Does that imply mass can be converted to energy? In this case the multiplication factor would be v - and you'd get a hell of a lot smaller number squared using the speed of the car instead of that of light.

think of it terms of light

there are light years but there are also light seconds minutes hours days weeks months

mattzadak
31-08-2010, 08:27 PM
Since a semitone, C - C# = 100 cents and the aforementioned offsets are well below 100 cents. Could somebody please explain why the resetting of these rather subtle offsets would be so conducive to:

Liberating guilt and fear
Undoing situations and facilitating change
Transformation and miracles (grin)

etc.

The largest offset is 45.97 cents. not quite a 1/4 tone, which would be 50 cents.

I really need to know why this offset is so crucial to healing, transformation, etc.

?

it all has to do with your particle/energy makeup

perhaps in certain people who are receptive to these frequencies or not

a certain tone carries a wave of a certain freq that has specific particles that either remove energies, bind to energies, remove and replace particles

uploading downloading streaming freqs

run energetic programs, updates, downgrades, upgrades

torus
01-09-2010, 03:21 AM
it all has to do with your particle/energy makeup

perhaps in certain people who are receptive to these frequencies or not

a certain tone carries a wave of a certain freq that has specific particles that either remove energies, bind to energies, remove and replace particles

uploading downloading streaming freqs

run energetic programs, updates, downgrades, upgrades

ask a guitar player to play a concert "A" with a bottleneck slide. then ask him to deviate from that pitch a 1/4 tone flat or sharp. essentially, it would span a "1/2 fret". you will hear the subtle difference. Then put that tone in context of a full A major chord, the deviation will sound dissonant, if not "eastern", as 1/4 tones are common in sitar music and qwalli singing. The dissonant factor is also dependent on duration. If one drones a pitch either a 1/4 tone sharp or flat for an extended period the dissonance becomes apparent as you're extracting a tone that is not within the harmonic overtone series of the fundamental pitch. If played with "finesse", intent, musicality, and shorter duration, the effect is indeed "eastern". A guitar with a good vibrato system can also produce this desired effect.

Check out the master doing it live!

Jeff Beck - Nadia - YouTube

torus
01-09-2010, 03:27 AM
In the video posted above, a personal favourite of mine, Jeff uses the vibrato bar and the bottleneck slide with virtuosity and makes it totally musical, even with 1/4 tones ALL over the place.

I never thought that I would see the day of frequency "bias". Our perception of harmony is not arbitrary as ANY fundamental pitch produces a series of overtones or harmonics that remains consistent. It doesn't matter if the fundamental is A440 or C528. To arbitrarily decide that one base frequency is more conducive to love, or what have you, is just plain nonsense to me.

synergy777
01-09-2010, 02:47 PM
http://www.henrymakow.com/musicalscale.html

Does Conspiracy Extend to Musical Scale?

"This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man."


by L. C. Vincent
(for henrymakow.com)



Prologue


Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter. Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.


The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:


Cymatic experiment - YouTube


Sound is also the basis for form and shape:


Cymatics - Bringing Matter To Life With Sound (Part 1 of 3) - YouTube

CONSPIRACY

Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.

Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.

Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.

It sounds like science fiction. Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of "A" above middle C would henceforth be said to vibrate at precisely 440 cycles per second.

This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.

The standard tuning fork, which is set to vibrate the note "A" above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.

Despite the apparent "sweet music" a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what "music" they may be playing.

These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body -- the brain -- into disharmonious resonance, which ultimately creates disease and war.

"MILITARIZATION OF MUSIC"

In a paper entitled "Musical Cult Control," Dr. Leonard Horowitz writes:

The music industry "...features this imposed frequency that is 'herding' populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness...." while the agents of this conspiracy provide 'therapeutic' pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires."


He says, "Energy (vibration) impacts "life" (biology) and our bodies through the most common medium of life: water. Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes. Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light."

As noted, the Rothschild-Rockefeller (Illuminati) alliance chose "....to determine the musical factors capable of producing psycho pathology, emotional distress and 'mass hysteria.'"


BAD VERSUS GOOD VIBRATIONS

The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.

However, the BSI -- British Standards Institute -- officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war. While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.

As Dr. Leonard Horowitz concludes: "Music bioenergetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love."

Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.

CONCLUSION


I don't know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich. However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.

Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.

"Intuitively, I think my sources are correct. But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister."

The Rockefeller--Illuminati axis, their money and research, imposed this artificial tuning "standard" upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity. It is high time for new, good vibrations to become ascendant and a "new standard" of vibrational tuning to emerge. It is time for the power of Love to triumph!
---


L C Vincent

[email protected]

Mr. Vincent was a professional musician for 7 years and has a very nice collection of guitars along with a wonderful Yamaha keyboard. He has had a passionate love of music since age 6 -- while most children had a TV for a baby sitter, he had a radio -- and controlled that dial!

thefallguy
01-09-2010, 08:24 PM
Healing Harmonics 729 Hz Sine Wave Tone Part 1of 2
There will be many parts to this series.For many years now Lightworkers and other likeminded souls have been discussing the 528hz frequency as a resonance frequency which heals and repairs human cells, DNA and opens the chakras amongst other things, when in actual fact it is an old fequency which is now having a blocking effect. PLease listen to this video using the 480p high quality button to hear the full frequency, thanks.
This video is the first of a new series which will explain a whole new level of enlightenment on this planet. We start with a true healing tone of 729 hz which we will explain in the next video. How do you feel after listening to this tone?
This series will unlock the mysteries behind the numbers 3, 6 and 9 and more. 0.618 / 1.618 will be explained as will the true workings of Metatron's Cube and the new mathematics which the world has been waiting for. It is happening now. Be prepared for galactic consciousness.
Listen to the full 108 seconds (81 + 27 or 1min 48sec / 1+4+8 = 13) of this video and feel the True Love of the Universe. 0 1 3 6 9 13 729

Healing Harmonics 729 Hz Sine Wave Tone Part 1of 5 - YouTube

Healing Harmonics Part 2 - 3, 6, 9, 512, 729 introduction.

This is an introduction to the numbers 3, 6 and 9 and also the frequency 729hz. This, being a fairly new subject to many people, will take many videos to explain and will open many a can of worms. We will strive to address as many questions and queries as possible during this series. I have a feeling it will be a long one. Audio presentation by my good friend missTerron. I had to disguise the voice in the video and it was quite difficult. This was the best I could do.

Healing Harmonics Part 2 - 3, 6, 9, 512, 729 introduction. - YouTube